Tuesday, October 26, 2021

Venice - Gallerie dell'Accademia di Venezia - New Halls of the Seventeenth and Eighteenth Centuries - Inauguration

Venice - Gallerie dell'Accademia
New Halls of the Seventeenth and Eighteenth Centuries 
Inauguration
 
The inauguration of the restored monumental Selva-Lazzari halls on the ground floor of the Galleria dell'Accademia di Venezia  are now  open to the public with an unprecedented and extraordinary exhibition dedicated to the paintings of Venice and the Veneto by painters of the seventeenth and eighteenth centuries. A precious of selection of 63 works, partly never exhibited before, or never admired in their current form are the result of the restoration work carried out for the occasion. Among the restored masterpieces, Tiepolo's Castigo dei Serpenti, a canvas which measures over 13 meters long from the Venetian Church of Ss. Cosma e Damiano.
 
 Giambattista Tiepolo - Castigo dei Serpenti - 1732-1734 circa - cat. 343 

https://www.gallerieaccademia.it/en/seventeenth-and-eighteenth-centuries-gallerie-dellaccademia-new-studies/

 

"With this initiative, the Gallerie dell'Accademia in the panorama of the world, become the privileged place, to  learn about  the important and still little known  history of the paintings of Venice and the Veneto of the seventeenth century, that for the first time are represented in a museum with a space entirely dedicated to  them.  The absolute novelty is also the preparation of the eighteenth-century hall which, alongside the unpublished masterpieces, presents a sort of 'museum within a museum', reserved for one of the art geniuses of all time, Giambattista Tiepolo".
Giulio Manieri Elia
Director - Gallerie dell' Accademia di Venezia
Giulio Manieri Elia and Dario Franceschini - Minister of Culture

 
 Gallerie dell'Accademia di Venezia
New Halls of the Seventeenth and Eighteenth Centuries  
 

Gianantonio Guardi - Erminia e Vafrino Scoprono Tancredi Ferito 1750-1755 circa
 


In all It's Glory
Giambattista Tiepolo - Castigo dei Serpenti - 1732-1734 circa
 
 
The restoration of Gianantonio Guardi's Erminia e Vafrino Scoprono Tancredi Ferito and Giambattista Tiepolo's Castigo dei Serpenti - above - as well as, Luca Giordano's Deposizione di Cristo dalla Croce would not have been made possible without the generous support of Venetian Heritage, a non-profit organization committed to safeguarding and promoting Venetian cultural heritage, which also financed the entire exhibition.
Toto Bergamo Rossi - Director  - Venetian Heritage
 
Gregorio Lazzarini - Circoncisione - 1700 circa
 

 Paola Marini
Former Director - Galleria dell'Accademia di Venezia
 
 
©G.A.VE  Archivio fotografico, foto prima e dopo il restauro di Matteo De Fina –"su concessione del Ministero della Cultura - Gallerie dell’Accademia di Venezia"

Padovanino - Parabola delle vergini Sagga e delle Vergini Stolte  
1636-1637 - cat 627



 Luca Zaia - President of the Veneto Region and Dario Franceschini - Minister of Culture

©G.A.VE  Archivio fotografico, foto prima e dopo il restauro di Matteo De Fina –"su concessione del Ministero della Cultura Gallerie dell’Accademia di Venezia"
 

Giulia Lama - Giuditta e Oloferne - 1725-1730 circa -  cat. 1345

 
 
 
 
 

  



 




 

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Monday, October 18, 2021

#TheVeniceGlassWeek - #VivaVetro! - Caterina Tognon Vetro Contemporaneo - Jessica Loughlin - Giampaolo Babetto

 
"Loughlin unlocks the transcendent peace bestowed by the light of open unpeopled landscapes, that sense of release from self that is the particular gift of the sea, or the dessert, through working paradoxical capacities of glass.  Light has entered the studio, and leaves it locked in glass."
Julie Ewington
Sydney - Australia - May 2021
 
Caterina Tognon - Vetro Contemporaneo
Jessica Loughlin - Architectures of Light
 
At Caterina Tognon Vetro Contemporaneo Gallery - until October 30 -  the beautiful exhibition - Jessica Loughlin - Architetures of Light. Australian artist Jessica Loughlin creates 'architectures of light' inspired by the austere and infinite Australian landscape. Her works tell of the colour of distance: the blue of the horizon that is lost at the edge of the world, the light that changes during the passing of the day, and the tides – the fluid movement of water, as it flows on the ground. «My material is both glass and light» writes Loughlin «I use glass to sculpt light and shadow». Poised between idealised spaces and material surfaces, Loughlin uses glass – particularly opaline – in an experimental way, using a limited colour palette from which she creates infinite shades combined with variations of translucence, opacity and gloss. 
Jessica Loughlin
 

https://www.theveniceglassweek.com/en/

www.caterinatognon.com/

 

 

"The first thing is the light. 
Always everywhere.
How it strikes - with brilliant intensity, or gently, with a caress."


Jessica Loughlin - Melbourne - 1975 - is well-known in Australia and USA; in Europe she is represented solely by Caterina Tognon. This is her second exhibition in Europe and Italy.

 

Jessica Loughlin 

 


 
"A simple and autonomous entity, extraneous to any subject and symbolic reflection that is not the very process of its construction."
Germano Celant
Giampoalo Babetto - Skira Editions - Milan 1996


Giampaolo Babetto - Body Architectures 
 
Giampaolo Babetto - Padua - 1947 - is one of the Masters of the Paduan Goldsmith School – an artistic movement born in the mid-1950s on the benches of the goldsmith section of the Pietro Selvatico Art Institute. For the exhibition Architectures for the Body at Caterina Tognon gallery - until October 30 - the artist has chosen to work with glass, a fragile material par excellence, combining it with gold, which is both pliable and durable. Two materials in antithesis, different and distant in characteristics and appearance, but harmoniously close in the synthesis of Babetto’s creations, which inhabit the body and live on its supple and constantly moving surface.
 Giampaolo Babetto
 

Babetto’s works belong to all the world’s most important museum collections of contemporary jewelry; we recall some of them: Victoria & Albert Museum in London, Musee des Arts Decoratifs in Paris, Metropolitan Museum of Art in NY, Cooper Hewitt Smithsonian Design Museum in NY. 
 Giampaolo Babetto


 Giampaolo Babetto 
 
Please Note
The text has been adapted from the
The Venice Glass Week
website 
 
 


 

 
 
 
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Friday, October 15, 2021

Venice - SPARC - Spazio Arte Contemporanea - Women I Matter - Exhibtion

SPARC - Spazio Arte Contemporanea
Women I Matter  
Barbara Pelizzon - Naomi Eller - Renata Adela - Wendy Krochmal
 
"It is useless for the viewer to look for something in the vision of a work of art that will comfort her. She will only find something that will tear her apart. It will be up to her to decide how to use it".
Lea Vergine
art critic 
 
At the Spazio Arte Contemporaneo - until November 26 - the exhibition Women I Matter, curated by Francesca Giubile and Luca Berta - Venice Art FactoryThe voice of four  women artists - Barbara Pelizzon - Naomi Eller - Renata Adela - Wendy Krochmal rises in unison to make us flinch. Sharp shards of porcelain are there to hurt us, shapeless heaps of pottery and woolen casings crawling across the floor. The work, even when it comes in the form of small votive idols, is not a soothing balm, but an amplifier of shadows. "Art", Lea Vergine explained, "is not a matter for respectable people".
 
Wendy Krochmal
 


Through her works the Belgium artist Wendy Krochmal invites the viewer to reflect on the fragility and vulnerability of the human being, which she underlines paroxysm-ally with the subjects evoking violence of war, love, the body and our first amour, the skin, these are all recurring elements in her research, which essentially takes shape in the manipulation of ceramics, directly worked by her or even in the form of everyday objects collected and rediscovered.

Wendy Krochmal


 

 
Barbara Pelizzon's artistic research refers to the recovery of poor old objects in which, according to the artists memories, her energys and emotions are stored, waiting to receive new possibilities of expression.  The artist's attention is captured by the most varied objects: from grates of confessionals, witnesses of the sense of guilt, to the fibers of mattresses, "catalysts of our dreams, which we deposit during sleep".  Barbara is also sensitive to the themes of the female universe, of which she proposes, through newspaper clippings and dolls, a raw and violent reading in relation to modern society.

Barbara Pelizzon
 

Barbara Pelizzon
 
 
curators - Francesca Giubile and Luca Berta
 

 



Renata Adela's artistic work is expressed through a variety of materials: from wax, bronze and clay sculptures, to mixed media illustrations, etchings and embroidery.  Her eclecticism is reflected in her studio, a gathering of ideas, collections and ceramics, natural history specimens, tapestries, fabrics and piles of drawings, which are the result of her personal research. The recurring themes range from ancient iconography to social phenomena, with particular attention to war and the sexual instincts of man connected to it.

Renata Adela
 

Australian artist Naomi Eller's ceramic works recall apparently primordial forms, which carry, not only the residues of memory and the weight of the passage of time, but also an almost shamanic charisma.  Whilst on her works on paper, she creates a sort of talisman in two-dimensions, perhaps even three-dimensions where it is easy to get lost in the plots of paintings mixed with collages which inhabit the space of the sheet in alternative ways; natural and abstract silhouettes, almost pictographic codes which manage to capture the itineraries of thoughts in the mind. 

Naomi Eller

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Monday, October 11, 2021

La Biennale di Venezia - The 78th International Venice Film Festival - Don't Miss - The Power of the Dog + Un Autre Monde


 

photograph Kirsty Griffin - courtesy Netflix - La Biennale di Venezia
 
#Venezia78 - Competition
The Power of the Dog
Jane Campion 

Charismatic rancher Phil Burbank inspires fear and awe in those around him. When his brother brings home a new wife and her son, Phil torments them until he finds himself exposed to the possibility of love.
 
Benedict Cumberbatch 
 
photograph Kirsty Griffin - courtesy Netflix - La Biennale di Venezia
 
"Falling in love with Thomas Savage’s powerful novel was a rare joy, yet I never thought of directing it with so many male characters and such deep masculine themes. I questioned instead who Savage with his own ambiguous masculinity would have wanted as his director and slowly I felt him slip an arm around my shoulder; “A mad woman who knows how to love the story? Yes, perfect.” I offered my whole self to Savage’s magnificent story, I let it sweep me up; I felt the lover in Phil as well as his terrible loneliness; I saw the importance and strength of each of the characters to the story and how each are finally revealed. I am honored to share this film with a real audience in a real cinema.
Jane Campion
Director's Statement 
 

 Silver Lion - Award for Best Director
Jane Campion
The Power of the Dog
New Zealand - Australia 
 
photograph Kirsty Griffin - courtesy Netflix - La Biennale di Venezia
 
Main Cast
Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee
 
Kirsten Dunst

 
 
The 78th International Film Festival 
Lido di Venezia - Early Morning
Palazzo del Casino
 
photograph - Nord-Ouest Films - France 3 Cinema - courtesy La Biennale di Venezia
 

#Venezia78 - Competition
Un Autre Monde - Another World
Stephane Brize 
 
An executive manager, his wife and his family, at the moment when his professional choices are about to overwhelm them all. Philippe Lemesle and his wife are in the process of separating, their love irretrievably damaged by pressures of work. An executive working for an industrial conglomerate, Philippe no longer knows how to respond to the contradictory demands of his bosses. Yesterday they wanted a manager, today an executioner. Now he must decide what his life really means.
 
Vincent Lindon
 
 
photograph - Nord-Ouest Films - France 3 Cinema - courtesy La Biennale di Venezia
 
 "Philippe Lemesle moves amongst society’s winners, in the realm of executive managers, of the meritocracy, of what are typically known as “success stories”. How do you admit you’re in pain, that you’ve lost your way, when you are part of the social elite? To complain would be both obscene in the eyes of the less well-off and a sign of weakness— unforgivable in the eyes of his peers, and in his own eyes. In this world, you cannot—you must not—be weak. It’s forbidden, on pain of downgrading and being replaced by a younger, more dynamic counterpart, or another who won’t argue about what he or she is asked to do. In this world it seems one no longer enjoys the right of questioning the orders that come from on high and which must swiftly be imposed below. This is the story of a world splitting silently in two, of professional and personal lives foundering, of a world in which men and women in ties and too-tight suits increasingly struggle to find meaning."
Stephane Brize
Director's Statement 
 
Main Cast
Vincent Lindon, Sandrine Kiberlain, Anthony Bajon, Marie Drucker
 
Anthony Bajon and Sandrine Kiberlain
 
 
 
Lido di Venezia
The 78th International Venice Film Festival
Red Carpet Photographers
pack up an move on
Ciao
#Venezia78
 
 
Please Note
Text was edited from 
La Biennale di Venezia - Cinema
website

 

 

 


 
 
 



 

 


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