Thursday, June 07, 2012

Hudson: Lifestyle – An artist’s residence.



Hudson: Lifestyle – An artist’s residence. Artists Tony Thompson and his wife Margaret Saliske stand on the steps of their Greek revival 1830’s house in the center of Hudson in the Hudson River Valley. They were some of the first artists to leave New York twenty-three years ago for more space.  They specifically chose Hudson because “The railroad goes straight to New York in two hours and it was becoming hard to be a painter and support yourself in New York.” Tony explains.  Now Hudson is the place for celebrities, and it is no wonder that Marina Abramovic will soon be opening an Institute for the Preservation of Performance Art there.

 

Lifestyle - An artist’s residence. The established painter Tony Thompson has had numerous solo shows in Boston, New York and Nantucket and his work has been exhibited at the Museum of Modern Art, NYC and the Institute for Contemporary Art in Boston and many other venues in the USA and Europe. In addition to his formal education in painting, he has a degree in cognitive psychology. The intellectual artist spends his time alternating between painting, reading and writing about how cognitive psychology and neuroscience changes our understanding of how art, music and dance are made and why some of us enjoy them so much.
 
Lifestyle - An artist’s residence.  A corner of Thompson’s studio, above the chest one of his “double paintings” which he has been painting for ten years “It slows the recognition and it takes a little more time to look at the paintings.” He says.  The eclectic painter paints abstract and traditional paintings and says that it’s like a “ménage a trois” between himself and the two different styles.

Lifestyle - An artist’s residence. Margaret Saliske is photographed with her photographic  three-dimensional boxes.
 
Lifestyle - An artist’s residence.  “As a photographer and sculptor I am always trying to make photography perform in three dimensional space. In the past I have manipulated photographs by cutting into them, wrapping them around three dimensional forms, and attaching objects to the photographs thereby creating a literal space in juxtaposition to the illusion in the photograph. I enjoy manipulating materials and find photographs have infinite possibilities for creating real or imagined settings.” She explains.
 
Lifestyle - An artist’s residence.  Margaret Saliske’s worktop: besides being an established artist she also restores antique painted and lacquered objects, furniture and architecture, like these Chinoiserie boxes.

The front porch.
Tony Thompson enjoys gardening, above the path that leads towards the vegetable garden. 
Lifestyle - An artist’s residence.  Canoes await upside down on the grass in the garden for holidays on Nantucket.
 
Margaret’s homemade scones were served with whipped cream and strawberries.

Lifestyle - An artist’s residence.  On the upstairs veranda overlooking the garden breakfast is served on a red Provencal print tablecloth.
 
Lifestyle - An artist’s residence.  One of Margaret’s painted boxes sits on a antique table between the two sash windows in the living room.

The master bedroom.


Lifestyle - An artist’s residence.  Another of Margaret Saliski’s painted boxes sits in the fireplace of the bedroom. The box was inspired by a Mercedes Gullwing Coupe, because it opens up just like the iconic 1950s car.

The bathroom. 



Lifestyle - An artists residence.  In the hall paintings are stacked up on the walls. 

 
Tony Thompson’s hats are ready waiting on the hall table.


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Wednesday, June 06, 2012

Hudson River Valley: Olana a State Historic Site.




Hudson River Valley: Olana a State Historic Site.   Olana is one of the most important artistic residences and planned landscapes in the United States; it is the last and perhaps greatest masterpieces created by Hudson River School artist Frederic Edwin Church (1826-1900).  Church designed the landscape and his Persian style home on and around the same hilltop where, as an eighteen-year-old student, he sketched spectacular views of the Catskill Mountains and the river alongside his mentor Thomas Cole.
Above: The house.  Frederic and Isabel Church, impressed by the architecture they saw on their travels in cities like Beirut, Jerusalem and Damascus, envisioned a home at Olana that incorporated Middle Eastern elements and designs. The contents of the house today, accumulated by Church over a 30-year period, include furniture, tapestries, rugs, bronzes, paintings, sculptures, and the myriad objects collected by Church to represent the major civilizations and religions of the world. The color scheme and stenciling that Church designed in 1870 remain, and from Church's studio the visitor can still see the vistas recorded in his paintings.


A stylized overview of the Olana landscape.


Olana – The landscape.  Olana's landscape was created over a period of forty years of Frederic Church's life and many consider it his greatest work. Over 250 acres of an artist-designed landscape can be experienced by walking over five miles of carriage trails that bisect the property.
Above: visitors relax looking out onto the Hudson River, which bends towards infinity, the view that inspired many of Church’s paintings.

 
Olana – the paintings.  Frederic Edwin Church, The Bend in the River, c. 1870-73, oil on off-white academy board.
Note.  The view in painting is the same as the photograph above.

 

Olana – the paintings. Frederic Church constructed the landscape at Olana in the same manner that he constructed landscapes in his paintings: with an eye to composition, balance, and fidelity to nature. Although Olana was a working farm, expected to turn a profit, Church also wanted the property to be pleasing to look at. He used the Hudson River and mountains in the distance as a background to a composition with carefully planned foreground and middle ground elements.
Above. Fredric Edwin Church, Catskill Mountains from the Home of the Artist, c.1871, oil on canvas.

 

Olana – the cutting garden.  Throughout his life, Church continued to develop the grounds, laying out miles or roads and planting thousand of tree, as he created this “living landscape”.

 

 Olana – the garden. Rustic benches of Church's design and rustic railings have been recreated on site.
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Monday, June 04, 2012

Schiaparelli and Prada Impossible Conversations Exhibition video




The Video. Iconic ensembles are presented with videos of simulated conversations between Schiaparelli and Prada directed by Baz Luhrmann, focusing on how both women explore similar themes in their work through very different approaches. Schiaparelli is played by Judy Davis plays Schiaparelli and Miuccia Prada plays hersef.
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NYC: The MET - Schiaparelli and Prada: Impossible Conversations exhibition



NYC: The Metropolitan Museum Of Art - Schiaparelli and Prada: Impossible Conversations exhibition. The Met's Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, until August 19, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubias's "Impossible Interviews" for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work.
 
The Metropolitan Museum Of Art - Schiaparelli and Prada: Impossible Conversations exhibition. The exhibition showcases approximately one hundred designs and forty accessories by Schiaparelli (1890–1973) from the late 1920s to the early 1950s and by Prada from the late 1980s to the present. Drawn from The Costume Institute's collection and the Prada Archive, as well as other institutions and private collections, signature objects by both designers are very cleverly arranged in seven themed galleries: "Waist Up/Waist Down," "Ugly Chic," "Hard Chic," "Naïf Chic," "The Classical Body," "The Exotic Body," and "The Surreal Body."
Above.  A stolen image (as you know NO photography) of the Hard Chic theme section; Schiaparelli 1938-39 – Prada 1994-95.
 
The Metropolitan Museum Of Art - Schiaparelli and Prada: Impossible Conversations exhibition.  Schiaparelli, who worked in Paris from the 1920s until her house closed in 1954, was closely associated with the Surrealist movement and created such iconic pieces as the "Tear" dress, the "Shoe" hat, and the "Bug" necklace. Prada, who holds a degree in political science, took over her family's Milan-based business in 1978, and focuses on fashion that reflects the eclectic nature of Postmodernism. 
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NYC: Schiaparelli and Prada - Highlights from the Met Gala Red Carpet, May 7, 2012




The Costume Institute Benefit celebrates the exhibition Schiaparelli and Prada: Impossible Conversations

The streaming of the event is a collaboration between The Metropolitan Museum of Art, Amazon.com/fashion, and Vogue.

Hosts Billy Norwich and Elettra Wiedemann interview Thomas P. Campbell, Anna Wintour, Jeff Bezos, Vittorio Grigolo, Miuccia Prada, Lizzie and Jonathan Tisch, Jessica Paré, Carey Mulligan, Sarah Jessica Parker and Valentino Garavani, Justin Timberlake and Jessica Biel, Bruno Mars, Catherine Martin and Baz Luhrmann, Cathy Beaudoin, Rihanna, and Marc Jacobs.

Learn more about "Schiaparelli and Prada: Impossible Conversations" here:http://www.metmuseum.org/exhibitions/listings/2012/impossible-conversations


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NYC: Luxembourg and Dayan Gallery – Domenico Gnoli.



NYC: Luxembourg and Dayan Gallery – Domenico Gnoli. The  Domenio Gnoli; Paitings 1964-1969 exhibition at the Luxembourg and Dayan Gallery until June 30 show canvases that are at once theatrical and humble, intimate and remote, humorous and melancholy, artist Domenico Gnoli uncovered a universe of meanings to be found in the details of everyday objects.
Above:  Red Dress Collar, 1969. Acrylic and sand on canvas.
 
Luxembourg and Dayan Gallery – Domenico Gnoli.  Gnoli’s meditations on the material trappings of bourgeois 
Italian life directly challenged the politically charged discourse proffered by artists of the burgeoning Arte Povera movement by suggesting that identity is constructed primarily around consumerism and commercial choices. Supra-realistic, subtly colored, luminous and large, his paintings suggest that subjectivity can be expressed through the width of a pinstripe, or that the social values of an entire decade can be located in a lady’s leather handbag (below). Regarded as a precocious genius pruned too soon by fate, Gnoli died in 1970 at the age of 36, a scant three months after an acclaimed solo exhibition at Sidney Janis Gallery in New York established him as a major talent.
Above. Corner, 1968. Acrylic and sand on canvas.
 
Luxembourg and Dayan Gallery – Domenico Gnoli. Alluding to the power, charm and bitter-sweetness of such timeless moments, Gnoli wrote, “I always use given and simple elements, I don’t want to add or subtract anything. I haven’t even ever wanted to distort: I isolate and represent. My themes are derived from current events, from familiar situations, from daily life; because I never actively intervene against the object, I can feel the magic of its presence.” The exhibition also includes a
 small group of drawings from “What is a Monster?,” a series in which Gnoli investigated the possibilities of a modern day bestiary. The works on view have been loaned from important private collections and museums, including the Fundación Yannick yBen Jakober in Majorca; the Stiftung Museum Kunstpalast in Düsseldorf; the Fondazione MAXXI and the Galleria Nazionale d’Arte Moderna e Contemporanea in Rome; and the Fondazione Orsi in Milan.
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NYC: Le Charlot Bistro.



NYC: Le Charlot Bistro. Le Charlot is a French bistro, with Asian influence, on the Upper East Side just off Madison Avenue.  This delicious Chicken Salad with orange, pineapple and mango was refreshing on a very hot day after the Met.
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NYC: Design - SoHo




Design: Ingo Maurer.  The great Ingo Maurer photographed in his New York flagship store in SoHo with a pair of his Zak Zarak lights designed with Lutz Pankow. Zak Zarak was designed to radically change the appearance of desk lamps: instead of complicated mechanisms and lots of bits and pieces, a simple flat strip folded into a distinctive geometrical form. Magnets replace the springs and hooks of standard desk lamps.


 

Ingo Maurer.  Moritz Waldemeyer’s breath-taking Candles in the Wind Chandelier is a revolutionary new lighting concept, using modern LED technology to faithfully recreate the experience of light from the ancient past – the simple yet infinitely complex candle flame. The design is pure and minimal: a bare circuit board featuring the latest in micro-processor technology paired with 256 high quality LEDs per candle is all it takes to evoke the natural flow and flicker. When seen from a short distance, the light is indistinguishable from the real thing, thanks to a perfect match of the light color of the LEDs. Closer inspection reveals the low-resolution charm of the digital display.

 
Bisazza.   Rosella Bisazza sits on the edge of a bathtub from The Wanders Collection, a bathroom furniture line designed by Marcel Wanders for Bisazza Bagno.


Bisazza.   For the occasion of ICFF, the Bisazza flagship store launched The Wanders Collection, a collection of bathroom furniture and accessories designed for Bisazza Bagno by renowned Dutch designer Marcel Wanders.
Above. Resin table and mirror with matte lacquered wooden structure and glass top and glazed ceramic washbasin from the Soapbath series. 

 

Bisazza.   Photographed against Carlo dal Bianco’s Corinzio mosaic wall,  Bisazza’s director and member on the Bisazza advisory board Maurizio Mussati, who is also the CEO of Established and Sons.

 
Agape.   Vieques bathtub designed by Patricia Urquiola for Agape. The steel tub is a contemporary restyling of the old-fashioned bathtub, for a decidedly unconventional environment, which amusingly reminds me of a large sardine tin.
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