MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Missoni show
WHERE: The cloisters of the Universita Statale
WHEN:    27th September
WHY:       Spring/Summer 2010 collection

WHERE: The courtyard of the Universita Statale had a giant plexiglass Missoni sign on the grass. On a truly beautiful and warm day, it was a pleasure to watch the show, al fresco, under the arches of the cloisters in such a beautiful setting.

RUNWAY MISSONI.   The finale of the beautiful 2010 Spring/Summer collection. The slim silhouettes are pure charm and poetry, swathed in light, air, the color of the sky, water, tangles of plants and trees, supple nets, love knots, mermaid scales, iridescent seashells, dewdrops quivering on leaves, and transparencies whose form and color allude to the happy, light, impalpable, contemporary, positive, contented and serene heart of Missoni’s Summer collection.

 BACKSTAGE MISSONI. Angela Missoni and super hairdresser, Paul Hanlon check the models before the show.

BACKSTAGE MISSONI – the make-up.   The make-up was created by Lucia Pieroni, using MAC cosmetics. Cultish team; Missoni goes to Ibiza, it is all about the mouth, day glow pale pink and super clear skin.

WHAT: Accessories. Whistles attached to friendship necklaces made of chains and colored ribbons are wrapped around the neck.

BACKSTAGE MISSONI – the hairstyle.  The hairstyle was created by super hairdresser, Paul Hanlon.  1950s masculine in front using men’s hair pomade and fish tail plaits at the back.

WHO:   French Vogue’s Carine Roitfeld and Max Mara’s Giorgio Guidotti.

WHO: Italian Vogue’s Anna Piaggi.

BACKSTAGE MISSONI. The seemingly simple construction accentuates the richness of the materials.  Loose meshes and embroidered origami with a three-dimensional weave, knots and openwork, lace, tulle and featherweight jersey are the mementos of Missoni’s sweeping imagination.   Super-slim forms that can be body-hugging or flowing – sensual, feminine, ruffled and draped – are often layered and veiled with sheer duster coats.

The it – bags. Long slim shoulder pouches, small woven baskets and knitted rucksacks.

The Sandals.  The thick-soled sandals raised on kitten heels and embellished with souvenir ankle bracelets.

WHO:  Rosita Missoni, who just opened the first Hotel Missoni in Edinburgh and her granddaughter, Margherita.

WHO: Luca and Judy Missoni.

WHAT: Missoni's creative director, Angela Missoni walks up the runway after the beautiful show in the cloisters of the Universita Statale.

WHAT:  Due to the heat of the day, luckily, Missoni water was on hand for everybody.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:  PRADA CORSO VENEZIA 3 Boutique
WHERE: Corso Venezia 3
WHEN:  September, 2009
WHY:     opening new boutique 
WHAT:  Prada presents a new modernist attitude to shopping.  An outcome of the continuous experimentation of the brand.  The new store on Corso Venezia represents the perfect synthesis of environment, architecture and the Made to Order collection. It is the Made to Order service that is architectonically and conceptually, the focal point of the new Prada store. There are various solutions to different product typologies, for example, the boots above can be ordered in any color and any size.

WHAT:  With this store, Prada continues its course of research to provide exclusive offerings for its clientele, with an emphasis on the Made to Order range, which is constantly expanding and always more personalized.

WHAT: Even in the case of accessories such as belts and footwear, Prada Corso Venezia 3 offers a selection of materials and hues only available by special order.  From fabric sneakers for men that become a unique piece thanks to the addition, upon request of a leather or crocodile side-strip; to the women’s boots in crocodile that are available in ten different shades with the option of branding the client’s initials onto them, everything revolves around an environment steeped in exclusivity.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Aquilano Rimondi show
WHERE:  La Pelota
WHEN:    27th September
WHY:       Spring/Summer 2010 collection

WHAT:      Monet, Gaudi, patchwork, the orient are the four elements combined in the Aquilano Rimondi Spring/Summer 2010 Collection creating contrasts of prints and bright colors illuminated by silver foil in sand hues.  The return of the noble tradition of Italian fabrics and contemporary satorialism are at its essence.  Silhouettes are sharp or a boule, defined by the contrasts of regimental prints and oversized knots of frills.  The final effect evoked by the entire collection is a kaleidoscopic illusion of colors and embroideries.

Contessanally tip: click on any photo to enlarge it.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Etro show
WHERE:  Via Piranesi
WHEN:     27th September
WHY:       Spring/Summer 2010 collection
WANT:   One of the beautiful cushions used as seating during the show.

WHO:  Two of the Etro brothers arrive for the fashion show.  Kean, the Etro Menswear designer and his wife and muse, Constanza and Jacopo who designs the Etro Home Collection.

WHAT - a detail of Kean’s outfit. Note how well all the colors and textures work together in Kean's outfit.

WHAT - a detail of Kean’s outfit. Love the ethnic inspired cross stitched shirt and the sophisticated contrasting silk piping of stripes and polka dots on the inside pocket of the jacket.

WHAT - a detail of Kean’s outfit.    Pink jeans complete the look with pointed lace-ups in hound’s-tooth tweed and leather.

BACKSTAGE ETRO – the make-up.  Glamorous, smokey eyes like a 1970s look juxtaposed with the 1990s.

BACKSTAGE ETRO – the make-up artist. Val Garland, the artistic adviser for YSL Makeup, reflected in the mirror above designed the make-up for the Etro show using MAC products.

BACKSTAGE ETRO – the make-up secret tips.   Val Garland confided three make-up Secret Tips that no woman should be without:

1) YSL Pore Defining Skincare Brush. With a single brush stroke, signs of fatigue are erased, and skin is left feeling velvety smooth and fresh with radiance.

2) YSL Midnight Spa, Restoring Skincare Palette, Face Cream – Lip Balm, which nourishes and replenishes the skin while you sleep. It targets the skin affected by stress, pollution, climate changes and lack of sleep and helps regain soothed, perfectly hydrated and smoothed skin.

3) YSL Touche Eclat gives Light, luminosity, radiance, it’s true because I have been using it for years.

BACKSTAGE ETRO – the hair. Tissue and plaits are setting the style.

WANT:  backstage each model was given an Etro paisley silk kimono of different patterns to wear.

BACKSTAGE ETRO – the hair. The finished effect,  created by Eugene Souleiman which he described as natural tight and fizzy.

BACKSTAGE ETRO – the hair. The back view of the hairstyle, the finish effect is gorgeous and wavy.

BACKSTAGE ETRO – the drink.   Models backstage were offered Coca Cola Light in the specially designed Etro bottle, destined to become a collector’s item.

WHO:  Seen at Etro, Italian Elle’s Luca Lanzoni.

BACKSTAGE ETRO.  Two models photograph themselves with an iphone.

BACKSTAGE ETRO. For Spring Summer 2010 Veronica Etro offers a vision of relaxed ease and resolute femininity that centers on dressing a real woman.  Prints the hallmark of the Etro brand, take center stage in this collection that sees elaborate and unusual patters forging a natural, unforced decoration.

Note: the gold tassel belt worn as a necklace, tassels are a strong trend for next year’s accessories while the hard stone jewelry has an organic feel.

BACKSTAGE ETRO – the it-bag. Puffy leather big handbag with metal chain and leather cuff-handles.

BACKSTAGE ETRO – the sandals.  The sandals are either flat or high, some are embellished with embroidered chains.

BACKSTAGE ETRO. The workmanship is rigorously extreme, but the mood is subtly low-key.  At the root of each design is the concept of versatile clothing that can be transformed in a multitude of ways according to a woman’s whims and needs.

BACKSTAGE ETRO. The organic quality of the patterns are complemented by fluid silhouettes that gaze the body with a relaxed non-chalance.  Soft ruffles, waves and frills add a consistently feminine undertone on silk dresses or crepe de chine overalls.  Long printed wrap dresses with curved printed hems are cinched at the waist with suede petal leaf belts.

RUNWAY ETRO.  The photographers at the end of the runway.

Contessanally tip: Click on any photo to enlarge it.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Tribute to Fashion – Fashion and the City
WHO:      Coca Cola Light
WHERE:  All over the city
WHEN:    During Fashion Week

WHY:      To raise money for the people of the Abruzzo region who where affected by the terrible earthquake earlier this year. 

WHO:       Coca Cola Light in an effort to raise money for charity invited eight Italian fashion houses to design a Coke bottle for the Coca Cola Light Tribute to fashion. The brands were; Fendi, Mochino, Etro, Versace, Marni, Blumarine, Alberta Ferretti and Missoni, shown above, in Corso venezia, placed in front of their Milan offices.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Marni show
WHERE:  Via Alserio
WHEN:     27th September
WHY:       Spring/Summer 2010 collection

WHAT: There is a new sense of ease and fluidity this season.  Natural and treated fabrics. Solid colours and polychrome designs. Geometric and floral patterns. These are the interactions in the Spring/Summer 2010  Marni collection.

 BACKSTAGE MARNI – the make-up.   The make-up was created by Tom Pecheux. Mat skin with washes of rose plum is very sculptural and looks like a glazed piece of pottery. Bohemian and effortless.  The lips are stained plum with focus in the center, a bit like a modern day 1920s shape.

BACKSTAGE MARNI – the make-up.    The tools of the trade.

BACKSTAGE MARNI – the hair.    The hairstyle was created by Paul Hanlon using two mismatched printed silk scarves.  It is very simple, effortless, easy, almost undone and deconstructed.

BACKSTAGE MARNI.  Two models flirt with the photographers.

BACKSTAGE MARNI – the it bag. Soft folded nappa bags. Oversized metal and leather covered frames finished with large boules on satchels or piped box bags. Flat, almost one-dimensional stencilled cut-out bags.  All are strong elements of the collection.

BACKSTAGE MARNI – the accessories. Depth and movement are defined by the unexpected combinations of material, colour and design, structural elements and decorative detailing. The whole collection is illuminated by big petal earrings in oxidised horn, wood and crystal stones or leather flowers like golden-edged parchment. Wood and resin make up the bracelets. Separate collars are  encrusted with macro-sequins and organza covered crystals.

RUNWAY MARNI – the boots. Stilettoed ankle boots with cut out toes are worn with beige short socks.

RUNWAY MARNI – the sandals. Soft leather brown, black and white deco sandals with medium heels are also worn with beige “sloppy” socks.
WANT: a pair of Marni socks, they have a knitted black line going up from the heel.

WHAT: breakfast.  Being the first show of the day, breakfast is always served. Espresso coffee is on hand as the press and buyers walk into the venue.

WHAT: breakfast.  Warm flaky croissants are stuffed with prosciutto di Parma or with jam.

WHAT: breakfast.  The freshly pressed orange juice.

BACKSTAGE MARNI – the press.  American Vogue’s Anna Wintour gets a private tour of the racks before the show from Consuelo Castiglioni.
Note: the gentleman to the right is one of the two bodyguards who protected Anna during the Milan Fashion Week.

BACKSTAGE MARNI – the press.  English Vogue’s Alexandra Schulman.

BACKSTAGE MARNI – the VIPs.   10 Corso Como’s Carla Sozzani.

BACKSTAGE MARNI – the VIPs.  Consuelo Castiglioni’ s daughter, Carolina.

BACKSTAGE MARNI – the VIPs.  Jewelry designer, Giorgio Vigna and Marni’s creative director, Consuelo Castiglioni.

WHAT: breakfast.  A waiter looks smart and crisp with a white shirt, black apron and Converse sneakers.

WHAT: breakfast – a detail.  Delicious yogurt with raspberries and muesli was served in small transparent glasses.

WHO:  The Sartorialist, Scott Schuman compares photos with his blogger girlfriend, Garance Dore.

WHO:  American Vogue’s Hamish Bowles, sporting a mustache and English Vogue’s fashion editor, Charlotte Pilcher.

WHO: Superstar image director, Fabien Barron.

WHO: Japan’s WWD fashion director, Shunichi Mugita.

WHO:  American Vanity Fair’s Michael Roberts and the New York Times’s Cathy Horyn.

WHO:  Superstar fashion editor, Suzy Menkes of the International Herald Tribune and the New York Times.

WHO: Vips photographer, Mario Testino.

RUNWAY MARNI:  Printed stripes, checks and polka dots, flowers printed on tulle and lurex tweed reflect the unmistakable style of Marni. There is a sense of the modern and unexpected, a touch of the recherché.

WANT: the stripped leggings, they look so modern.

THE GRAND FINALE – MARNI: A wardrobe of textural contrasts of silk and cotton, linen and paper pressed onto fine organza.  Fabrics enriched by jacquard and devoré, linen and cotton check woven with rubber, embroideries with veiled and covered stones and suede stencil cutout motifs.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   G-Star Raw Denim presentation
WHERE: 10 Corso Como
WHEN:     26th September
WHY:       Spring/Summer 2010 collection

WHAT: G-Star continues its creative collaboration with design super star, Marc Newson, with a limited edition Spring/Summer 2010 collection, to be made available through high-end retail boutiques.  The collection features Newson’s modern interpretation of four classic styled jackets and two T-Shirts, available in both men and women’s cuts and based around an indigo blue palate. The traditional utilitarian fabrics associated with each style are replaced by premium materials, presenting a creative fusion of street-wear silhouettes and couture-level fabrics.

 

WHAT: The long sleeve tee is made from army-style waffle jersey and, features washed leather strips on the upper back and arms as artwork.

 

WHAT: The mesh leather jacket takes the classic nylon jersey and presents it in ultra-soft, perforated leather, with silk collar, cuff and waistband detailing,

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Gucci show
WHERE: Gucci theater
WHEN:    26th September
WHAT:    Spring/Summer 2010 collection
WHAT:     Champagne was served in the lobby as you entered the theatre.

WHO - seen in the lobby. Bloomberg’s Sara Forden and Gucci Group’s executive vice president of global communications, Mimma Viglezio.

WHO - seen in the lobby.  Reena Wadhwa looked glamorous in a sari designed by Tarun Tahiliani.

RUNWAY GUCCI:  The designer, Frida Giannini’s   modern collection included lots of metal, multi-straps, harnesses, carbon fibers,  silk crepe, strips of leather,  metallic and crystal beading in the form fitting silhouettes.

RUNWAY GUCCI – the bag.   The Gucci bag for next spring and summer, is in pale blue crocodile, it has a signature bamboo handle and two shoulder straps, one made out of leather and the other one made out of chains.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Maliparmi presentation
WHERE: Palazzo Visconti
WHEN:   26th September
WHY:      Spring/Summer 2010 collection

THE COLLECTION:  Small untamed items are what the Mailparmi woman will be wearing next year.  The new collection evokes the deep desire to return to the heart of things.   For Maliparmi, this is the moment to give free rein to the elements that form a vital part of its DNA; craft production, handmade with passion and love.   The company has long made use of ancient fabric decoration techniques like tye & dye, block printing, hand painting, crochet and bead embroidery and, they are at the heart of the Maliparmi project.

WHO: Maliparmi’s creative director, Silvia Bisconti and its president, Annalisa Paresi.

WHAT:   Motto: Reuse – Creativity – Style = Tessuto della Memoria.  Maliparmi invented a fabric that is in fact the patchwork of many others sourced from its archives.   The Tessuto della Memoria was born as the result of bringing together several forgotten fabrics in one new one.  A series of clothing items and accessories were created with a mix of textures and patterns that have constituted the brand’s history and which now have an opportunity to be re-born. Conceived from the Maliparmi style and from the creative reuse of its vintage heritage, it represents a limited run, as the multiple fabrics used create a single one, which can no longer be reproduced.

WHAT- the catering.   Ethnic delicacies were catered by Soup based in Naples. The pretty waitresses sat on table tops with the food spread out before them.

WHAT – a detail.  A detail of the ethnic food; couscous with tomatoes, raisins and pine nuts was served in pretty bamboo containers.

WHAT – a detail.  In the background, fresh fruit bamboo skewers where refreshing in the heat of the day.  In the foreground, delicious chocolate and hazelnut semi freddo.

WHO:  The glamorous Neapolitan caterer, Alessandra Calvo whose company is called, Soup, born from the desire to transmit emotion. Alesandra’s cooking is half way between innovative and traditional Neapolitan cooking. “I love to experiment.” She told me.  Also on the menu that day, wontons.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:      Saks Fifth Avenue, The Wall Street Journal and Camera Nazionale della Moda      Party

WHERE:   Villa Mozart - Via Mozart 9

WHEN:      25th September

WHY:        To celebrate Milan Fashion Week

WANT:      The flower arrangement in the private Villa Mozart were spectacular, designed by Tearose, giant transparent vases held bouquets of blood red dahlias mixed with a few white hydrangeas.

WHO – seen at the Saks Fifth Avenue, The Wall Street Journal and Camera Nazionale della Moda Party.  Saks’s president and CMO, Ron Frasch chats with Gianfranco Ferre's creative directors, Tommaso Aquilano and Roberto Rimondi and Saks’s Chairman & CEO, Steve Sadove.

 

 

WHO – seen at the Saks Fifth Avenue, The Wall Street Journal and Camera Nazionale della Moda Party.   Ferragamo’s CEO, Michel Norsa and his beautiful wife, Bucci.

 

 

WHO – seen at the Saks Fifth Avenue, The Wall Street Journal and Camera Nazionale della Moda Party.  Saks’s senior vice-president of marketing, Terry Schaefer has a tete a tete with Harvey Nichols fashion director, Avril Oates. 

WHO – seen at the Saks Fifth Avenue, The Wall Street Journal and Camera Nazionale della Moda Party.  Camera Nazionale della Moda’s director, Giulia Pirovano.

WHO – seen at the Saks Fifth Avenue, Wall Street Journal and Camera Nazionale della Moda Party.   Editor in chief of The Wall Street Journal Magazine, Tina Gaudoin and Anne Marie Paltsou of Saks Fifth Avenue Italia.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Luisa Beccaria presentation
WHERE:  Via Formentini 1
WHEN:    25th September
WHY:      Spring/Summer 2010 collection

WHO:  The designer, Luisa Beccaria stand amongst her models. The Spring Summer collection embraces a femininity that evokes the 1950’s Hollywood glamour and brings a fresh new perspective to the brand’s romantic aesthetic.  The Luisa Beccaria woman is aware of her sex-appeal, is both empowering and strong.  Like the timeless beauties that often wear them, Nicole Kidman and Eva Mendes for example, these clothes are playful and sweet, emphasizing the brand’s creed true of elegance and sophistication.

WHAT: An exciting new venture, an extension of the Luisa Beccaria’s creative soul.  Luisa has “dressed’ the Citroen C3 Picasso car, the same way she dresses women, romantic with sensual empowerment and looks forward to “dressing” other objects that will transcend the Luisa Beccaria lifestyle.

WHAT – a detail.   A detail of the inside of the Citroen C3 Picasso “dressed” by Luisa Beccaria.  This unique car has 100% floral body, hemp seats in a floral print and a dashboard with a make-up holder and purse holder.  For an added touch of elegance, the knob of the gear stick is made out of Venetian hand-blown glass in the shape of a rose.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:  Gianfranco Ferre show
WHERE: Ferre Headquarters – Via Pontaccio 21
WHEN:    25th September
WHY:       Spring/Summer 2010 collection

GRAND FINALE:  Transformation is the main principle underlying the new collection, designed by creative directors, Tommaso Aquilano and Roberto Rimondi.  From fabric come textures at once incredibly elaborate and delicate, weightless, almost intangible.  Metal spirals are embroidered and hammered on organza, for a feel of bark. Pleated plisse silk lame are made of ultra light fibers, as fine as gossamer.  The folds and swirls of material create lines and shapes pervaded by a sense of architectural balance.

Contessanally tip:  Click on any photo to enlarge it.

RUNWAY FERRE: Materials wrap the figure softly, lusciously, like a second skin.  The sense of motion is in the gently close fits and the cocoon silhouettes.

BACKSTAGE FERRE – the make-up. The make-up was created by Peter Philips, Chanel’s global creative director of make-up.  Purity is achieved through beautiful skin and a shine around the eyes, beige lips create a nude look.

BACKSTAGE FERRE – the hair.   The hairstyle took a lot of teasing, to achieve the architectonical shape below.

BACKSTAGE FERRE – the hair.   The hair has an architectonical shape on top, going into a triangle at the back, which moves when the model walks, a modern Cleopatra.

BACKSTAGE FERRE – the hairstylist.    Legendary hairstylist, Luigi Murenu.

RUNWAY FERRE - the front: The red carpet dresses; folds of material wonderfully smooth and seductive flow leaving a train of soft silk chiffon.

 RUNWAY FERRE - the back.  The color palette is rich in neutral tones, light and sieved, such as sand, honey and nude.  Everywhere there are splashes of gold, and of platinum subsiding into exquisite iridescent gray hues.  Black and silk white musts.

BACKSTAGE FERRE – the press.  After the show, Tommaso Aquilano and Roberto Rimondi greet Conde Nast’s Grazia d’Annunzio and Ariela Goggi.

WHO: Seen at the Ferre show.   The late Gianfranco Ferre’s brother, Alberto and his wife, Charlie Ferre.

WHO: Seen at the Ferre show.   Belgium milliner, Geoffroy Moreels and Chilean photographer, Alberto Ibarretxe.

WHAT: Seen at the Ferre show.  Two straw hats designed by Geoffroy Moreels for his company My Bob.

WHAT: Seen at the Ferre show – a detail.  Geoffroy’s trademark; all hats have a red ribbon rim inside the crown.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Latteria di San Marco restaurant
WHERE: Via San Marco 24
WHY:      Best food in Milan.
WHEN:    Monday to Friday – no reservations

WHO:       Maria and Arturo Maggi run the Latteria di San Marco restaurant with their sons Marco and Roberto.   Tuscan born Arturo is the chef and his food is simply delicious, innovative and since 1998 he has been cooking with solid silver pans.  The tiny interior is decorated with pictures, photos and artwork of roses.  In the country, where the Maggis go for the weekend, Arturo possesses over a thousand rose bushes from which he dries the petals and you can drink and infusion of rose petals called Arturose.  I have been going there for over thirty-five years, it’s like eating at home and for the trendy Brera residents it’s their local restaurant.

 

WHAT:   Thin ribbons of celery root and carrots make the ideal low calorie first course or side dish.

 

WHAT:    Eggs sunny side up are cooked in a sliver pan and are dusted with a generous helping of bottarga (fish roe), though Arturo says they are better eaten with truffles.

WHY:       Cooking in solid silver pans takes away all the natural acidity the ingredient possesses, “Conclusion, a product cooked in a silver pan is not acerbic.” Arturo explains.

 

WHAT: The individual marmalade tart was crunchy, with a thin layer of custard under the bitter jam and delicious to taste.

WHAT:   Even the check comes in a small solid silver frying pan.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Sportmax Show
WHERE: Milano Moda Donna
WHEN:   25th September
WHY:      Spring/Summer 2010 collection

BACKSTAGE: Models line up ready to walk down the runway. Inspired by a trunk out of which come romantic dresses, which rub shoulders with military jackets, trench style coats, bustiers and voile blouses.  Fashion as a contemporary privilege that looks back without a trace of nostalgia.

SPORTMAX BACKSTAGE – the make-up.  Created by Chanel’s global creative director of make-up, Peter Philips the make-up is young, sultry, sexy, and playful with focus on the eyes.

SPORTMAX BACKSTAGE:  Max Mara’s legendary, Laura Lusuardi and Chanel’s global creative director, Peter Philips.

SPORTMAX BACKSTAGE – the make-up.   Here is a glimpse of the colors for the Spring/Summer Chanel make-up 2010 collection, created by Peter Philips. For the show he used peachy blush and eye shadow and the new lipstick will be called Insousiant, which translates, as carefree.

 SPORTMAX BACKSTAGE: Two models relax after rehearsals and rest their feet from the high-heeled boots.

SPORTMAX BACKSTAGE – the boots.   High canvas and leather boots/sandals reach up above the ankle.

SPORTMAX BACKSTAGE – the bag.    Canvas and leather knapsack looks chic and elegant with the military inspired clothes.

SPORTMAX BACKSTAGE: a cross of military, corsets and trench coat inspired clothes in cotton.  The military inspired more masculine pieces are given a more feminine eccentric touch.  The soft powder and wisteria shades blend with neutral colors to become designs to be combined with black and sherbet yellow.

SPORTMAX BACKSTAGE – the Press. Fashion editor of Il Giornale newspaper, Daniela Fedi.

SPORTMAX BACKSTAGE – a detail.   A detail of Daniela Fedi’s animal rings. The reindeer ring, designed by Maria Licci, is made from aluminum, it is “The perfect way to wear “horns”.” Daniela jokingly explains. The dachshund on a cushion ring represents Daniela’s dog Pardo, short for Leopardo.

SPORTMAX BACKSTAGE: Organza blouses are tucked away in pinstripe trousers, chain mail sweaters with eye and hook fastenings are reminiscent of  the underwear of old, flow over shorts.

SPORTMAX BACKSTAGE – a detail.   An old fashion inspired top, has tiny buttons down the back and is worn under a tulle t-shirt.

SPORTMAX RUNWAY:  After the successful show, Max Mara’s chairman, Luigi Maramotti prepares for an interview.

SPORTMAX BACKSTAGE: A saucy model flirts with the camera. She is wearing a dress inspired by underwear.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    The Sartorialist book
WHERE:  Armani Libri – Via Manzoni
WHEN:    During Fashion Week
WHY:       Scott Schuman’s Italian book signing event.

The Window.  The window is bare; all The Sartorialist books have been sold.

 

WHO:  The photographer and author of the book The Sartorialist, Scott Schuman, published by Penguin, was on another leg of his world signing book tour of the fashion capitals.  Known for his uncanny knack and eye for spotting the stylish on the streets, his blog, The Sartorialist, receives 1.3 million hits a month. 

WHY: For me he is the best fashion street photographer after the legendary New York Times photographer, Bill Cunningham.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:      Stefanel 50
WHERE:  Gallery Cardi Black Box
WHEN:      During Fashion Week
WHY:         To celebrate the 50th anniversary of the clothing company, Stefanel.

WHO:        The iconic Italian brand launched an exciting capsule collection by the young British duo   behind the Cooperative Designs label, Annalisa Dunn and Dorthee Hagemann.

WHO - seen at the Stefanel 50 party. Polish-born Canadian-Ukrainian super-model, Daria Werbowy and Stefanel’s president, Giuseppe Stefanel.

WHO - seen at the Stefanel 50 party. Art dealer, Nicolo Cardi.

WHO - seen at the Stefanel 50 party.  Buying director and the cool hunter of La Rinascente, Tiziana Cardini.

WHO - seen at the Stefanel 50 party.   Author, Fabiana Giacomotti, who presented her book, written with Carlo Rossella, La sciarpa a Pois (The Polka Dotted Scarf) during Milan Fashion Week.

WHO - seen at the Stefanel 50 party.  Stylist, Manos Samartzis, wearing Romeo Gigli and vintage glasses.

WHO - seen at the Stefanel 50 party.  Architect and jewelry designer, Nathalie Jean.

WHO - seen at the Stefanel 50 party.  Photographer, Canio Romaniello and jewlery designer, Carla Maria Orsi Carboni.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Shopping in Marrakech by Susan Simon - book
WHERE:  Armani Libri – Via Manzoni
WHEN:    During Fashion Week

WHY:      Seen in the Armani Libri bookstore, Shopping in Marrakech by Susan Simon with photos by Nally Bellati and published by The Little Bookroom looked good in among the other fashion and design books.

Note:         The Little Bookroom specializes in the most beautiful guidebooks, check out their website. 

WHO:       Word has it that soon  the cast of the new SEX And The City 2 movie will be filming a segment in Marrakech and they probably will be referring to the guidebook in their off-time from the set.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Prada show
WHERE: Fondazione Prada
WHEN:    September 24th
WHY:      Spring/Summer 2010 collection
RUNWAY – the set.  An Italian palazzo façade was used as a backdrop down the middle of the runway.

PRADA RUNWAY.  Picture postcard holiday prints of palm trees and tropical islands are printed on the summer silks.

Note: the big beige canvas bag with leather trimmings.

PRADA RUNWAY- the shoes.   Not too high transparent plastic sandals with bows have crystals dangling from the heels.

Contessanally tip: click on any photo to enlarge it.

PRADA RUNWAY. The criss-cross top falls into a trail at the back and short shorts are visible through the sheer fabric.

 

PRADA RUNWAY.  Like a suit of armor silver and crystal-embroidered tops reminiscent of the 1960’s are made of chandelier drop crystal components.

PRADA BACKSTAGE – the make-up and hair. The make-up appears natural with the exception of the day-glow orange lips. The hair is teased and swept to the side in ponytails.
Note: the cool day-glow green sunglasses.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Illy coffee
WHERE: the press room of La Camera Nazionale della Moda Italiana
WHEN:   during Fashion Week

WHY:      taste and beauty are inseparable, illy has chosen art, literature and creativity as the languages to express its values and philosophy, for a complete coffee experience involving the eye and the mind.

WANT:      I always enjoy a cup of coffee; it’s an instant “pick me up” a  caffeine fix.

WHO:    the basic Illy white coffee cup, with the red log, was originally designed by architect and designer, Matteo Thun.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Giorgio Armani show
WHERE: Armani Theatre
WHEN:   September 24th
WHY:     Spring/Summer 2010 collection

RUNWAY: This season Giorgio Armani creates a collection of pieces empowered by their cut and construction, essentially disciplined but at the same time possessing that special equilibrium achieved through perfectly balanced contrasts – exuberant, head turning, sumptuous.  These styles are rich in color and reference, texture of fabric (satin, taffeta, silk with stiffness clad in double chiffon to support the structure) and elegant embroidery.

ARMANI RUNWAY: Linear jackets with overstitched trim explore cool graphic design, combining sophisticated neutrals, black, grey, blue, green, a novel shade of iris, and a low voltage red.

 ARMANI RUNWAY - the shoes: In fact everything is short and ends above the knee, even the evening dress.  This staple has never before delivered such a total vision of lightness and geometric modernity, and is perfectly set off by flat shoes.

WHO: Seen at the Giorgio Armani show.  Janet Jackson looking casual.

WHO: Seen at the Giorgio Armani show. Anna Wintour with Roger Federer in tow.

 WHO: Seen at the Giorgio Armani show.   Eugenia Silva.

WHO: Seen at the Giorgio Armani show.  Zhang Ziyi.

 WHO: Seen at the Giorgio Armani show.  Hidetoshi Nakata.

WHO: Seen at the Giorgio Armani show.  Kasia Smutniak who appears as the "face" of the new Giorgio Armani perfume Idole d'Armani.
 

WHO: Seen at the Giorgio Armani show.  Maria Grazia Cucinotta.

 
WHO: Seen at the Giorgio Armani show.  Rosanna Armani and Italian Vogue's creative director, Luca Stoppini.

 
WHO: Seen at the Giorgio Armani show.   Eto'O.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:  Gaia & Gino’s Grid Vases
WHERE: in the window of the Skitsch shop.
WHEN: During Fashion Week
WHO:  The grid Vases were designed by Jamie Hayon for Gaia & Gino “The Grid Vase, was inspired by a combination of city influences. Since moving to London, I have been fascinated by British history and the strong medieval atmosphere when I walk through the streets. I became fascinated by tales of the knights templar and the Tudors and the endlessly rich history surrounding me. I came up with vases, inspired by suits of armor, helmets and fencing masks.” states Hayon.
WHY: They looked so great in the evening light all in a row.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   Antonio Marras show
WHERE: Milano Moda Donna
WHEN:   24th September 2009
WHY:      Spring/Summer 2010 collection
The Grand Finale.  “It was an erotic tour through the female boudoir, finishing with a pillow fight in which the “pillows” were lace-decorated balloons, much like the lace squares laid out on the runway.” Suzy Menkes in the N.Y. Times.

WHAT: The pretty invitation printed on a paper lacey doily.

WHO: Antonio Marras was inspired for this collection from the movies Pretty Baby and Love and Anarchy; between all the most fragile women and the most determined.  He dedicated the collection to Teresa Strada a very special woman who worked for those who are deprived of everything and died, prematurely at the beginning of September.

BACKSTAGE - WHAT: The Mood Board shows the inspiration taken from early Italian films.

BACKSTAGE – The make-up. Fresh , young, beautiful, freckles, a shine to make it glow, a bit like a child’s doll, no hard-lines, the make-up was applied with finger tips and designed by Lisa Butler using M.A.C.

 

BACKSTAGE – The hair.   A romantic loose disheveled  plait held together with a red ribbon, created by Eugene Soleimani for Wella.

 

BACKSTAGE – The shoe.     Platform high wedges in woven string and fluorescent ribbon.

BACKSTAGE.  The hustle and the bustle backstage when the make-up and hair are done at the same time.

RUNWAY:  Romantic layering, rose print jacket, pink silk, lace, above the knee silk stockings a corset inspired waist held together by a ribbon.

 BACKSTAGE: A 1920’s inspired lacey dress with a corset effect insert embroidered in cross-stitch with the initials A.M. in red.

BACKSTAGE:  Leggy model Angelina B. relaxes before the show.

BACKSTAGE:  Angelina B. is ready for the runway.

BACKSTAGE – the Press # 1. Antonio Marras explains the collection to Suzy Menkes “It’s about innocence,” said the designer backstage, against a mood board that swung from early Italian films, where the languorous lingerie was seen in a brothel, to the 1978 movie “Pretty Baby,” starring Brooke Shields. Her fashion replica walked the runway in lace dress and hat to kick off the show — although that is an unlikely metaphor for feet wobbling on giant platform shoes.” Wrote Suzy in the New York Times.

BACKSTAGE – the Press # 2.  Hilary Alexander was wearing a Christa Davis vintage dress, which she said looked very Marras.

BACKSTAGE:   The final touch.  A sailor inspired look is inlayed with black lace.

BACKSTAGE:  A straw hat is positioned.

RUNWAY: You can just see the retro corset and bra that Antonio had re-made for the collection by Playtex.

Note: the footless over the knee silk stockings.

Seen at the Marras show.  Velvet magazine’s editor, Michela Gattermayer, is in vintage Marni and Frye boots, casually put together.

Seen at the Marras show.  Comedian, Lella Costa always wears Antonio Marras on stage.

The front row.   I-D magazine editor, Terry Jones and his wife Tricia sit next to Rossana Orlandi and Elle Décor’s editor, Livia Peraldo Matton.

A detail. Terry Jones wears comfy black leather Converse All Star’s.

The Antonio Marras Finale.  Feel the mood of the bordello inspired collection of veils, chiffon and lace mixed together to create a look of innocence.

Contessanally tip.  Click on any photo to enlarge it.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:     Fay Boutique

WHERE: Via della Spiga 15
WHEN:    Fashion Week
WHY:       The launch of the window that look like a movie set, designed by Dante Ferretti.

WHO:  Italian Academy Award-winning production designer, art director and costume designer for films, Dante Ferretti just off the plane from Rome chats with Fay’s CEO Giulio Guasco. Mr. Ferretti designed the window display above to look like a stage set.

WANT:  This fall short sleeved down jacket, from the fall/winter 2009 collection, it’s a cross between a waistcoat and jacket.  Short sleeves jackets and coats are very trendy this year.  I also love the color.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Il Fruttivendolo - greengrocers
WHERE: Via Solferino 12

WHO:      The Galantino Brothers specialize in the first crops of the season and the best rare fruit and vegetables.  They have been compared to “The Bulgari of the Potato”, because to go in, chat and buy something is like buying a jewel.

WANT:     Some pretty lavender from Provence to put in my underwear drawer.

WANT:  small sweet juicy doughnut peaches and some mushrooms for a risotto or the porcini mushrooms pictured above to eat raw with slivered Parmesan cheese on top.

WANT:  To try these exotic sprouts rich in vitamins A, B, C, E and K, Calcium and Iron.  Sprouts are one of the most complete and nutritional foods that exist.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   T: The New York Times Style Magazine party.
WHERE: In the garden of The Bulgari Hotel.
WHY:      To celebrate it’s Fifth Anniversary.
WHEN:   During Fashion Week.

WHO:      Janet L. Robinson, president and CEO of The New York Times Company, Stefano Tonchi, editor of T Magazine hosted the party along with Francesco Vezzoli, the contemporary artist.

The Playing Cards. For the party, a large-scale landscape was created featuring giant houses made out of playing cards.  Each house illustrated one of the five T covers that were designed by, Frank Gehry, Jenny Holzer, Jeff Koons, Doug and Mike Starn and Francesco Vezzoli.

WHO: Host, T Magazine’s editor, Stefano Tonchi and Gucci’s Frida Giannini. “ We are delighted to be celebrating in Milan all of T’s success and influence in the world of fashion, art, design and travel, “ said Stefano.  “We commemorate five years of great contributions to style and offer our many thanks to the celebrities, advertisers, writers and photographers who have made T, it’s website and T International so successful worldwide.”

WHO: Host artist, Francesco Vezzoli and Italian Vogue’s Franca Sozzani.

WHO:  Propaganda and product placement entertainment manager, Marina Marzotto.

WHO: Emilio Pucci’s daughter, Laudomia.

WHO: Art dealers, Gio Marconi and Francesca Kaufmann.

WHO: Vanity Fair’s fashion and style director, Michael Roberts and Italian G.Q.’s editor, Michele Lupi.

WHO:  Designer, Aldo Cibic.

WHO:  Gucci PR, Camilla Orlandi arrives with Gucci’s world wide PR director, Giulia Masla.

WHO: Designer and editor of Domus magazine, Flavio Albanese.

WHO: Art dealer, Antonia Jannone and director/writer, Mara Chiaretti.

WHO:  Florentine fashion designer, Chiara Boni.

WHO: Designer, Gianbattista Vialli and Margherita Missoni.
WANT: Those pearls, which belonged to a Maharaja.

WHO: VPL’s, Victoria Bartlett and English designer, Neil Barret.

 

WHO: International PR, Karla Otto.  Karla has just added another office, in L.A. to her group making them five in all.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:     Massimo Alba first flagship boutique.
WHERE:   Via Brera 8.
WHEN:      September 9th. 
WHO:        Trend setting creative director, Massimo Alba has a long history in the clothing business; he created the Malo and Piombo clothing labels and re-launched the cashmere company Ballantyne.

A detail.  A corner of the boutique. The store has been decorated with furniture and objects from Alba’s home and studio, things he is fond of.

A detail. An oxford cloth shirt is dyed with an eco-friendly method, using very little water. Each item comes in a range of different shades, which testify its uniqueness and originality.  The “signature” corduroy trousers have a baggy and easy fit.

The walls.  The walls in the men’s section are papered with pages from the book, The Natural History of Plants, published in the nineteenth century, because “I wanted to create a Colonial feeling.” Alba explains.  The dressing rooms are papered with pages from a book depicting mammals and birds.  A sheet on one wall even boasts a lucky, dried four-leaf clover.

The Muse.  Alba is inspired by the artwork of Alex Kratz.  His ideal woman wears a silk twill printed shirt, a cashmere sweater, baggy corduroy trousers and motorcycle boots.

WHO:   Natural Chic is Massimo Alba’s motto, the researched and refined fabrics in the collections are exclusive, they have been designed to convey lightness, softness and character to the knitwear, jackets and coats.  His sophisticated collections can also be found at Barneys, New York.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:    Fiat Cinquecento fiberglass flowerpots, called, Create a Tree, contain different types of trees.
WHERE:  Along Via Montenapoleone.
WHEN:     During Milan Pret-a-porter.
WHO:        A co-operative initiative between the city of Milan, Fiat and designer, Fabio Novembre.

A detail.  The fiberglass Fiats "parked" along one side of the Via Montenapoleone looked realistic and stopped the traffic.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:     New Van Cleef & Arpels Boutique.
WHERE:  Via Pietro Verri 10.
WHEN:    22 September.
WHY:       First Italian boutique in Italy.
WHO:       Sponsored by Vogue Gioiello.

WHO:  Conde Nast International chairman, Jonathan Newhouse and soprani, Madelyne Monti. Mr. Newhouses is a reader of Contessanally.

WHAT:  Midnight in Paris watch, pink gold case with officer back, rotative (365 days) aventurine dial, sapphire back with calendar and meteorite, black strap, pink gold pin buckle, mechanical movement with poetic complication. 

WANT: Out of all the jewelry in very big and precious stones, this was my favorite piece.

WHERE: Outside on the upstairs landing candles placed in a row created a strong effect.

A detail.  Box them in!

WHO: Conde Nast’s Alessia Glaviano.

WHO: Glamorous “ladies who lunch”, Suzy Gandini and Cicci Locatelli admire the diamond jewels in the case.

WHO:  Creating a “stir” with the paparazzi, Gabbriella Dompe and Laura La Russo had fun.

WHAT: Fresh fruit for the weight conscious clientele looked so pretty cut into small cubes and presented on a black tray.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:   New M Missoni Boutique.
WHERE: Corso Venezia 2.
WHY:      New Italian flagship boutique featuring the M line of less expensive wear for men and    women.   
WHO:      Margherita Missoni and Martina Mondadori.

A detail.  Tiny sweet bites made out of black pastry. The pastry was died black with some food coloring.

MILANO FASHION: Where - When - Why - What - Who - Want ? ? ?

WHAT:     Bottega Veneta windows.

WHERE:  Via Montenapoleone 3.

WHY:        I liked the idea of the windows full of birdcages. They looked so elegant.

A detail. Of the smart idea of putting something precious into a cage, so that it doesn’t “fly” away.  The classic interwoven silk clutch bag is caged in.  Basket weaving either in silk or in leather is the “trademark” of the luxury goods manufacturer.

VENICE: Film Festival - A SINGLE MAN the movie

LIDO: Venice Film Festival – A Single Man, the movie.  Set in Los Angeles in 1962, at the height of the missile crisis following US invasion of Cuba, Tom Ford’s directorial debut, A Single Man, is the story of George Falconer, a 52-year old British college professor, played by Colin Firth, who is struggling to find meaning to his life after the death of his long time partner, Jim. George dwells on the past and cannot see his future as we follow him through a single day, where a series of events and encounters, ultimately leads him to decide if there is a meaning to life after Jim. George is consoled by his closest friend Charley, played by Julianne Moore, a 48-year old beauty who is wrestling with her own questions about the future. A young student of George’s, Kenny, who is coming to terms with his true nature, stalks his professor as he feels in him a kindred spirit.

In the photo: Colin Firth who won the Coppa Volpi for best actor, Tom Ford and Julianne Moore.

Seen at the premiere of A Single Man.  Fashion journalist, Richard Buckley, who also has a tiny part in the movie.

Seen at the premiere of A Single Man.  The president of Lombardy, Roberto Formigoni chats with the acting ambassador of the Film Festival actress, Maria Grazia Cucinotta.

VENICE: Film Festival - The Excelsior Hotel

LIDO: The terrace of the Excelsior Hotel.  The first edition of the International Venice Film Festival in 1932 was held on the terrace of the Hotel Excelsior at Lido of Venice, but it was not yet regarded as a competitive event. Today, at the 66th edition of the Film Festival, on the terrace of The Excelsior, special events were hosted for meetings with producers, artists, and for one-to-one interviews with directors and actors with the media.

LIDO: The terrace of the Excelsior Hotel – The food.  I had a Club Sandwich on the terrace of The Excelsior between movies and also people watched.  Unfortunately, in Italy Club Sandwiches are very hard to come by and when you can find them on a menu, they usually are not very good. This one I rated 5.5.

VENICE: George Clooney at the Film Festival

 

 Photograph by Manfredi Bellati

The Cipriani Hotel.  Seen leaving  The Cipriani Hotel in a taxi for the premier of his latest film, The Men Who Stare at Goats, directed by Grant Heslov, George Clooney and his latest girlfriend, Elisabetta Canalis.

Contessanally tip: click on image to enlarge it.

LA GIUDECCA: BAUER PALLADIO HOTEL & SPA

 

 LA GIUDECCA: Bauer Palladio Hotel and Spa.  Venice's newest all natural wellness spa and boutique hotel, The Bauer Palladio Hotel & Spa on Giudecca Island, continues the philosophical traditions of its past by redefining the ideals of grace, beauty and character. The original property, one of Andrea Palladio's famous Renaissance designs, was a sanctuary for unmarried women of virtue and style and represents a piece of Venetian history. Under the personal care of chairlady & CEO, Francesca Bortolotto Possati, the hotel has been carefully restored and updated to become a relaxing sojourn and spa without losing sight of its original identity. 

A detail: The grandiose space of the Great Hall has been transformed to a warm, welcoming respite to melt away the day. I love the bouquet of gigantic hydrangeas.

Bauer Palladio Hotel and Spa – the garden.  In Venice it is very special to have a garden.  In the garden patio cafe guests, in the summertime, can enjoy their meals, al fresco.

 

Bauer Palladio Hotel and Spa – the view. The SPA is a unique treatment space, with eight treatment rooms and a relaxation lounge framing the most exceptional view of the Lagoon and the shores of Venice... almost as if one is inside a perfect postcard.  Before you, the Salute Church, Punta della Dogana and Saint Mark’s Square.

VENICE FILM FESTIVAL: Hotel Courbet the movie

LIDO: Venice Film Festival – Hotel Courbet, the movie.  Shown in These Phantoms 2 section, provocateur Italian filmmaker, Tinto Brass presented three short films. Hotel Courbet tells the story of a woman who lets herself go so she can assuage her erotic affliction. The provocative intimacy, violated unseen, is worth more for the burglar than any of the things he has stolen...  The woman is played by Caterina Varzi and the burglar by Alberto Petrolini, both in the photo with the director, who is especially noted for his work in the erotic genre.

VENICE FILM FESTIVAL: Il Piccolo, the movie.

LIDO: Venice Film Festival. Il Piccolo, the movie. The director of the movie, Il Piccolo (The Little “Theatre”), Maurizio Zaccaro.  “What can we do as theatre people? To the mortification of not being able to oppose any kind of futile gesture in such moments, faced with such painful impotence in the theatre, or in art in general faced with such violence and madness, the artist can only force himself to continue doing his work as best he can.” Those thoughts, written by Giorgio Strehler on the occasion of the slaughter of Piazza Fontana.  They are the main idea behind the film on the Piccolo Teatro in Milan, whose story is integrated with the events of the city itself. Everything began with the renovation of the theatre in Via Rovello. A multi-ethnical building site. A Tarkovsky-style setting. In the old auditorium ghosts were flying. And what if it were a Gothic tale?

Venice Film Festival. Il Piccolo, the movie.  Extraordinary guest of honor,  gracious actress, Valentina Cortese, who also has a cameo role in the movie, received a standing ovation.

Venice Film Festival. Il Piccolo, the movie.  Actor and director,  Toni Servillo was also present at the screening.

VENICE: Film Festival - Jaeger-LeCoultre Dinner Party

The Place: Granaries of the Cipriani Hotel - Jaeger-LeCoultre Black Tie dinner.  During the Venice Film Festival, Jaeger-LeCoultre gave a dinner party at the granaries of the Cipriani Hotel on the Giudecca.  White sofas  and orchids were placed on the riva overlooking Saint Mark’s Square and the Ducal Palace for guests to sit and admire the view as champagne was served. The famous watchmaker invited actors, stars, ambassadors and friends of the brand to help celebrate the 80th anniversary of the Calibre 101, the smallest mechanical movement for a ladies watch and to attend the unveiling of the Hybris Mechanica 55 set, the horological masterpiece trilogy with a total of 55 complications. 



Glamorous ladies.    Catherine Deneuve chats with Sarah, Duchess of York.

Another glamorous star.  Chinese actress, Huang Lu was in Venice with her film Ahasin Wetei (Between Two Worlds), Directed and written by Vimukthi Jayasundara.

VIP Guests.  Professional polo player, Eduardo Novillo Astrada, Astrid Munoz, actor, Joaquim de Almeida and his lady friend.

The Film Star.  Italian actor, Riccardo Scamarcio was promoting his film Il Grande Sogno (The Big dream) directed by Michele Placido.   His co-star, actress Jasmine Trinca won the Golden Lion Award for Best New Actress.

The Venetians.   A few glamorous Venetian where among the guests. Marie Brandolini d’Adda, Filippo Gaggia and Servanc giol.

The Place.    In the rustic setting of the granaries of the Cipriani Hotel on the Giudecca, the Jaeger-LeCoultre dinner was held.  Two long tables with candles running down the center and three large chandeliers created a magical atmosphere.

At the table, actress, Giovanna Mezzogiorno who was in Venice to promote the film she narrated and co-produced called, Negli Occhi (In the Eyes) directed by, Daniele Anzellotti and Francesco Del Grosso.

A Detail. A detail of the table setting.  

Note: how effective a line of candles, of different heights, are running down the center of the table.

VENICE: Film Festival - CHEEK TO CIAK PARTY

Venice Lido: Cheek to Ciak party.  Editor in chief of the monthly movie magazine, Ciak, Piera Detassis hosted the party entitled Cheek to Ciak on the terrace of the Excelsior Hotel during the 66th Venice Film Festival.  Photographed here with actor and television presenter, Luca Barbareschi.

Cheek to Ciak party. Emanuele Fuca cuddles up to his sister, actress, Ana Caterina Morariu and actor, Dino Santoro. Both Ana Caterina and Dino are starring in the six part TV series,  entitled, Intelligence, directed Alexis Sweet.

Cheek to Ciak party. One of the many actors appearing in Giuseppe Tornatore’s film Baaria, Beppe Fiorello and his wife Eleonora Pratelli.

Cheek to Ciak party.  Actress, Piera Degli Espositi was in Venice to promote her latest film Il Compleanno (The Birthday) directed by Marco Filiberti.

Cheek to Ciak party.   Movie agent, Daniele Orazi and the actress of Gianclaudio Cappai’s  film, So Che C’e Un Uomo (I Know There’s a Man), Daniela Virgilio.

Cheek to Ciak party.   Director, Valerio Mieli's Dieci Inverni (Ten Winters) star, Michele Riondino.

VENICE: Floating Bookshops

VENICE: “Floating Bookshops”.  The first seventeen days of September saw the first Venetian edition of Subway-Literature: 500,000 copies of unpublished short stories and poems by young Italian writers were be distributed for free through several “literary jukeboxes” set up at the main the vaporetti stops. Printed on recycled paper, this initiative is already well known to the public of subways in the cities of Milan, Naples and Rome.

VENICE: Palazzo Grassi - 4th GUCCI GROUP AWARD 2009

VENICE: PALAZZO GRASSI – 4th GUCCI GROUP AWARD 2009.  In its fourth edition, The Gucci Group Award ceremony took place during the Venice Film Festival at Palazzo Grassi.The Gucci Group Award is bestowed to an internationally-acclaimed artist who has made a remarkable contribution to a film in any capacity, as a director, actor, screenwriter, set designer, or costume designer. This years nominees were: Yann Arthus-Bertrand, photographer, for the direction of Home, Mark Boal, journalist, for writing The Hurt Locker, Shirin Neshat, photographer and video artist, for the direction of Women Without Men and Pipilotti Rist, video artist, for the direction of Pepperminta. 

The winner Mark Boal receives his award from Patricia Clarkson, as Gucci Group’s president and CEO, Robert Polet looks on.

Members of the Jury.  The members of the 2009 Gucci Group Award Selection Committee were: director, actress, screenwriter, Zoe Cassavetes, internationally acclaimed photographer, Mario Testino, actress, Patricia Clarkson pose with Gucci Group president and CEO, Robert Polet. The other members of the jury were:  international editor and opinion leader, Ingrid Sischy and Marco Müller, director of the Venice International Film Festival.

 Lawyer, Fabio Moretti and jewelry designer, Antonia Miletto.

Palazzo Grassi’s P.R. Paola Manfredi.

Palazzo Grassi’s head of development, Ashok Adiceam and his wife.

The Venice Experience’s, Marco Loredan and Emanuela Luca Dazio.

Roberto de Feo, Federico Corra, Cristina Beltrami, Bianca Arrivabene Valenti Gonzaga, Elisabetta Collodo and Maria Novella Benzoni.

Movie make-up artist, Mina Ghoraishi and painter designer, Shahram Karimi.

The Bauer’s Francesca Bortolotto Possati with her son, fashion designer, Alessandro  and daughter, Olimpia.

Singer songwriter, Sofia Taliani stands, cheek to cheek with her next door neighbour on the Giudecca, the actor, Ulrich Tukur depicted in Piotr Uklanski’s Dancing Nazis.

Artist, Lucy Carroll chats with designer, Sigrid de Montrond.

Jewelry designer, Servane Giol in a Gucci blouse, the bracelet is one of her own designs.

The Prince and the Paperazzi.   Omnipresent, Carlo Giovanelli posses with Canio, Daniele, Max and Vittorio.

VENICE: Regatta Storica

Venice: The Historial Regatta.  The Historical Regatta dates back to the second half of the 13th Century; this spectacular competition whose origins are firmly entrenched in the history of Venice takes place the first Sunday of September. A ceremonial parade along the Grand Canal of historical boats manned by Venetians in period costume is watched from the balconies of the Palazzi, where regatta parties are held to entertain friends and families.

Seen at a Regatta party.  Naif artist, Liselotte Hohs.

Seen at a Regatta party.  Fashion turned furniture designer, Gioia Meller Marcovicz.

  Seen at a Regatta party. Still-life photographer, Tessa Traeger.

Seen at a Regatta party.  Jewelry designer, Carlo Piccolomini and book editor, Margherita Alvera.

VENICE - ART: Magdalena Kunz and Daniel Glaser Exhibition

ART: - the Lido di Venezia: Magdalena Kunz and Daniel Glaser Exhibition.  Bright red and yellow dots lead the way to The Pool NYC   latest exhibition in a big large white cube placed outside the Excelsior Hotel during the Venice Film Festival and open until October 4th. The Pool NYC was founded in 2009 to promote avant-garde artists through a network of international exhibitions. Without an official gallery space, yet based in New York City, The Pool NYC is everywhere and nowhere at the same time. The necessity to be in one place and then quickly in another is a dominating influence in this century, and The Pool NYC embraces that peripatetic nature.

 A detail. Dummies of the artists themselves, Magdalena Kunz and Daniel Glaser, sit in a vintage car outside The Excelsior Hotel in front of their installation.  Appropriately the artist couple from Switzerland were exhibiting their cinematographic sculptures, which have always caused a great sensation, during the Venice Film Festival.

A detail. A detail of the Magdalena Kunz and Daniel Glaser installation, inside the white cube placed outside The Excelsior Hotel. The artists’ call their figures Talking Heads, a mixture of film and sculpture which the public often mistakes for real people.  The Lido installation called, Voices III was created during an artist-in-residence stay of the artist duo in South Africa in 2008: six poets, wrapped in wool blankets, talk about life in the townships, formulating questions about the social and political situation in South Africa.

The Pool NYC.  Two of the four founding members of the Italian and American team of The Pool NYC, Viola Romoli and Luigi Franchin. Viola Romoli is a Florentine/Spanish world traveler, with a degree in History of Contemporary Art, she has worked at the Paula Cooper Gallery, the Guggenheim Museum (New York, Bilbao and Venice) and recently was   awarded the Hilla Rebay Fellowship. Whilst, 

Luigi Franchin, a Venetian with black belt in judo a degree in Economics and a life-long passion for contemporary art, learnt his trade collaborating with Gian Enzo Sperone of Sperone Westwater.

VENICE FILM FESTIVAL: The Place - The Food - The People

The Place. Docked on the Island of San Giorgio, the Missoni’s barge Timoteo is once more the venue for a pleasant summer lunch during the Venice Film Festival in honor of Mario Monicelli, the famous Italian film director.

The hostess.   Rosita Missoni in a bright red shirtdress greets guests as they arrive for the lunch in honor of famous Italian film-director, Mario Monicelli. Monicelli’s partner, Chiara Rapaccini takes photos as the guests arrive.

The People.  Tai, Angela and Teresa Missoni arrive at the barge by speed boat, captained by Bruno Ragazzi.

The People.  A close up of the glamorous,  Teresa Maccapani Missoni.

The People.  Teresa arrives in her flowing Missoni turquoise silk dress.

The guest of honor.  Fifty years after his Leon D’Oro, Mario Monicelli was back in Venice with his 1959 film, La Grande Guerra, The Great War, which was shown the night before the opening of the Venice Film Festival.  La Grande Guerra was also nominated for an Oscar. Monicelli masterpiece “upstaged” the festival’s opening film, Baària by Giuseppe Tornatore.

Mario Monicelli and his daughter Rosa.

The People. Cristina Nonino, Vittorio Missoni, Gianola Nonino and Tai and Rosita Missoni.

The flowers.   A bouquet of herbs and chili peppers looks pretty on the striped tablecloth. 
Note: the vase is covered in the same fabric.

The interior.   One of the rooms below deck.  The sofas are covered in Missoni Home  multi-colored blue and purple striped fabric.

The Food.  The Peperonata, as all the other dishes were prepared traditionally, by the renowned, Ruggero of the Trattoria Gatto Nero.

The Food.  An assortment of the freshest fish and summertime favorites was prepared by Ruggero, star chef and owner of the Trattoria Gatto Nero on the Island of Burano.  The restaurant is one of the best fish restaurants in Venice.

The plates. As you know, only plastic or unbreakable china and glass are allowed on boats.   Look how pretty the colors of the plates look together.  I also love the polka dot plates.

The cutlery.  Missoni is known for it’s colors and here the bright plastic knives, spoons and forks grouped together by color are very effective in baskets on the table.

Note: the Missoni Home multi-colored carpet.

The glasses. Brightly colored plastic glasses are stacked on a table on deck.

The People. Angela Missoni chats with multi-talented designer and author, Patrick Kinmonth who was in Venice for La Traviata at La Fenice for which he designed the sets and costumes.  Patrick also designed the latest Missoni store in L.A., he is better known in fashion circles for having orchestrated Valentino's 45th-anniversary retrospective at the Ara Pacis Museum in Rome, Italy.

A detail.  Angela Missoni every summer puts together shells or objects found on holiday and has them made into jewelry.

 

The People.  Contessa with style, Carla Alvera and opera director, Robert Carsen, whose production of La Traviata  at La Fenice, was a great success.

The People:  Pino Brusone and Carla Fendi.

The Venue – a detail.  Timoteo written in naïf letters on the prow of the Missoni barge, which dates back to 1904.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

TANGIERS: The Place - the Kasbah. Veere Grenney and David Oliver hosted a very elegant cocktail party by the pool in the splendid garden of a house in the Kasbah.

The Food. Filo pastry stuffed with scrambled eggs and parsley a curious but delicious mix.

The Food. Very simple grilled aubergines were an unusual nibbles at the cocktail party.

The Tablecloth. On the upstairs terrace the embroidered tablecloth is held down by bronze egg shaped sculptures.

The People. Our host, David Oliver is Design Director of Paint & Paper Library based in Chelsea, London, photographed with his son Eddie.



The People. New York/Paris based interior decorator, Frank de Biasi.



The People. Our host, London based interior designer, Veere Grenney chats with Plum Le Tan.



The People. Chic Tangier expat Chilean artist, Baron Francisco A. de Corcuera Gandarillas wears a candy striped pale blue suit.



The People. A detail of Francisco A. de Corcuera Gandarillas amusing bracelet made by Petranca by heating fluorescent ice cream spoons.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

TANGIERS: The Place - the Medina. The view from one of Suomi and Nadia Lavalle’s terraces is 360 degrees, taking in the Medina, the Bay of Tangier, Gibraltar and Spain.

The Place. The oriental inspired sitting room under a sky blue tent on one of the terraces is ideal for drinks before and after dinner. The view is spectacular.

The Flowers. The roses sit on a painted table under the tent. Roses in Morocco come from the Dades Valley or the Valley Of the Roses, where in the town of Kelaa-des-Mgouna there is a huge distilling plant that accounts for most of the rose water that goes into Morocco’s gastronomic delicacies and the famed Moroccan perfumes.

The Food. The pretty table set for breakfast. Fine bone china tea set and hand-embroidered tablecloth set the mood for a late breakfast. The sugarless strawberry and orange marmalade were much appreciated.

The Food. A specialty of the cook, Tangier Cookies made entirely with yogurt and no butter were on hand at all hours. The watercolor in the background of a crab is by Marguerite McBey.

Photograph and copyright by manfredi bellati

The People. Our hostess, Nadia Lavalle was always organizing something super duper for us.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

TANGIER – The Place. As you enter the Medina from the Porte d’Italie from the Grand Socco in one of the little streets on the right is this spice shop. Spices are used extensively in Moroccan food. While spices have been imported to Morocco for thousands of years, many ingredients, like saffron from Tiliouine, mint and olives from Meknes, and oranges and lemons from Fez, are home-grown. Common spices cinnamon, cumin, turmeric, ginger, pepper, paprika just to name a few.

Photograph and copyright by manfredi bellati

The People. Located in the heart of Tangier’s old quarters, in the Petit Socco, which is the Medina’s principal landmark and one of Tangier’s most picturesque sites is the café snack bar, Zoco Chico owned by Englishman, David Bashy. Here you can enjoy a variety of dishes such as; Mutabal, Couscous Falafel, Tabouleh, Baba Ghanouj. Or drinks like; iced coffee or tea, cappuccino, mocha frappe and caramellato. David also does take-away and caters to private clients.

Zoco Chico: 17, Petit Socco – tel: 012 029 446

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

TANGIER. The Place – Le Mirage Beach. Just east of Cap Spartel, the northern tip of Africa and mystic Caves of Hercules acclaimed by Homer as "The Mirage" the breathtaking view of the beach of the Hotel Club Le Mirage, just outside Tangier. On the terraces, these pristine white balustrades separate you from the endless Ocean. The view extends to infinity, embracing a wild, silver sand beach that winds down the coast of Africa.

The Food. About a Kilometer down the beach from Le Mirage on the Plage Sidi Kacem is the Ocean restaurant managed by Tangerine veteran, Philippe Morain. The refined yet simple cuisine, which specializes in fish dishes, is perfect for a hot summer day, like this avocado and shrimps.

The Food. It’s fabulous to sit on the terrace and look out onto the blue Atlantic Ocean while picking at these delicious and tasty grilled sardines.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

GIBRALTAR: The Place. Gibraltar is located at the entrance of the Mediterranean. Its strategic location and history have made it an international symbol of solidity and strength. Gibraltar has been a British Territory since 1704. Known colloquially as Gib or The Rock, it is an ex-patriots heaven, a mini old fashioned England, where everything from letterboxes, to cannons, lampposts to road-signs or restaurants evoke something British whether they be the royal insignia or coat of arms or the names of famous Englishmen like Sir Winston Churchill or Lord Nelson.

Photograph and copyright by manfredi bellati

The View. The view at night from The Rock Hotel, which is perched majestically above the city. The hotel was built in the elegant 1930's and it is an institution in Gibraltar. The spectacular views from our bedroom window is of the Bay of Gibraltar, the Spanish mainland and North Africa

The Food. Dinner at the Rock Hotel: part of a trio of mini desserts, this blackberry trifle was served in a small glass. The other two mini desserts were, strawberry mouse and crème brulee.

The Food. A Billboard for Lord Nelson restaurant. The restaurant was named "Lord Nelson" to commemorate England's most famous Admiral, one of the best-known military figures associated with the Rock. Gibraltar has strong connections with Nelson and the Battle of Trafalgar, Nelson's body was brought there after the battle before returning to England for the last time.

The Coffee. I guess that in Gibraltar one should be having a cup of tea instead of a cappuccino topped with whipped cream and cocoa powder…ugh.



The People. British, entrepreneur, Rudy Reginiano takes the helm while Captain Mike Hudson looks on.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

LONDON: The Place – a garden in Notting Hill. Boswell the black pug and Puma the black cat relax in the communal garden in Notting Hill.

The Food. Delicious fish without chips, keep the calories down, and a tartare sauce at the chic fish and chip restaurant, Geales established in 1939 in Notting Hill.




Photograph and copyright by manfredi bellati

The People. Our hostess and poetess, Betsy Joly de Lotbiniere, creative director, Johnny Blueeyes of the House of Blueeyes and Miami based designer and interior decorator, Barbara Hulanicki who was in London for the screening of Louis Price’s documentary Beyond Biba: A portrait of Barbara Hulanicki at the Victoria and Albert Museum.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

SAN BOLDO PASS: The Place – La Muda di San Boldo. At the top of the San Boldo Pass the Muda di San Boldo, an old staging inn and toll house which dates back to the to the fifteenth century has been brought back to its former glory by a group of entrepreneurs. The Muda is located on the border between the mountain communities of the pre-alps of Treviso and the Belluno valley. The Inn also houses several guest rooms, as well as a communal dormitory.

La Muda di san Boldo: Passo san Boldo 2 – Cison di Valmarino 31030 – (Treviso) tel: 0437 757253

The Food. A carpaccio of porcini mushrooms topped with Parmesan cheese was a real treat.


The Food. The Inn serves uncooked snacks and food like these local cheeses, hams, speck and salamis.


The Wine. Cold Costadila Prosecco from the Treviso hills. The Prosecco is produced and vinified by natural fermentation and without any addition of sugar and sulphites.



The People. At the opening party for the Muda, Venetian minimal artist, Annamaria Ridolfi listens to the press conference.


The People. Local Poets, Alessandra Pellizzari from Bassano del Grappa and Luciano Cecchinel from Revine Lago.



The People. Count Annibale Brandolini d’Adda a direct descendant of the Brandolinis whose history was associated with the Muda through the centuries.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

LUCCHESIA: The Place – La Cappella. This seventeenth century ex-convent and was completely restructured by the owners, Pietro Monticelli and Vicky Ceschi a Santa Croce. Part of the villa is available for holiday rentals and sleeps eighteen people. In the low season, rooms are available with breakfast. As you can see La Cappella, is in one of the most beautiful hillside areas of the Lucchesia and is only seven km from Lucca and it's also close to Florence, Pisa, Viareggio and Forte dei Marmi.

The After Dinner Coffee. Vicky has prepared the after dinner coffee cups ready for coffee. They look so elegant on the straw tray.


The People. Vicky Ceschi a Santa Croce with Jack and new arrival Lola.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi bellati

LUCCHESIA: The Place. On the hillside near Lucca is Sarina Tang’s Italian Residence. The art historian and curator divides her time between Lucchesia, New York and Beijing.
Contessanally tip: click on any photo to enlarge it.

Photograph and copyright by manfredi bellati

The View. The terrace overlooking the hills near Lucca in Tuscany.

The Food. For an aperitif, local spicy cheese and equally local foccacia were served with a cold white wine.

The People. Art historian and curator, Sarina Tang was born in Shanghai, brought up in Sao Paulo, Brazil, and studied history of art at the Ecole du Louvre in Paris, France. Tang is the director of Currents which integrates Chinese contemporary artists and musicians with the international art and music community, and provides a non-commercial counterpoint to the exclusively market-driven art and music field both in New York City and Beijing.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

LUCCA: The Place. The gourmet food shop, Delicatezze on the cobbled street Via San Giorgio in the walled city of Lucca is a epicurean heaven. It’s the perfect place to stock up on local produce of the highest quality to bring back home as gifts.

The Food. A huge selection of the olive oils produced locally. Olive oil has become a symbol of Tuscany and is also known as liquid gold.

The Food. Just a small assortment of the many cheeses that can be found in the gourmet food shop.




The Bar. Caffetteria Turandot is the place for a very good espresso on the Piazza san Michele in the center of Lucca.

Note. In Tuscany espresso coffee is served with a “shot” of water on the side.

The People. Italian artist/photographer, Massimo Vitali, famous for his monumental photographs of large groups of people chats and enjoys a strong espresso.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

Photograph and copyright by manfredi Bellati

LUCCHESIA: The Place – Villa Massei. A corner of the garden at Villa Massei which was designed by the owners, Paul Gervais and Gil Cohen. This beautiful garden at Massa Macinaia, fifteen minutes outside the walls of the ancient Tuscany town of Lucca is open to horticultural enthusiasts from around the world.

The Food. Lasagne alle Verdure or vegetable lasagne, the perfect vegetarian one course dish for a rainy and cold summer day.



The Recipe. The lasagne were cooked by the author of the book, Le Ricette del Paese delle Camelie, Pola Belluomini, using fresh vegetables from the villa’s vegetable garden.

The People. The hosts, author, Paul Gervais de Bedee and philanthropist, Gil Cohen kindly smile for my camera in front of a beautiful big pottery bowl manufactured by Pasquinuccio Pasquinucci in Pontedera from a medieval design.

SUMMER: THE PLACES - THE FOOD - THE PEOPLE

LUCCHESIA: The Place - Mescita Lotti restaurant. The recently added indoor dinning room in the Mescita Lotti restaurant, in the hills near Lucca, is still my favorite place to eat in Lucchesia. I love the understated fresh home cooking. The owner, Emanuela Tambellini says, “Simple things are the most refined.”

Mescita Lotti is on the road to Sant'Alessio, near Lucca (+39 0583 342077).

The Place. A little store with books, food and antiques is set up in the new indoor dinning room.

The Food. A salad of chunky avocado, tomato and mozzarella is mixed with delicate cous cous.

The Food. Tuna mouse topped with a cool beef gelatin and tomatoes. The boiled potatoes with parsley are drizzled with the best Tuscan extra virgin olive oil.




The Food. The softest, mouth-watering apple cake is accompanied by traditional home-made vanilla ice-cream and a strawberry for color.




The People. Gino spends his afternoons playing card games in the garden.




The People. Owner, Emanuela Tambellini clears the garden when her guests depart. The Tambellini family has been running the wine bar, restaurant, and tobacconist since 1870.

Forte dei Marmi: Coccinelle/Barbara Hulanicki

Forte dei Marmi – Coccinelle/Barbara Hulanicki – Orsa Maggiore. Tucked away in Tuscany's northwest corner, Forte Dei Marmi is an idyllic retreat for Italy's high society. The Orsa Maggiore restaurant was the venue for the presentation of the new Spring/Summer 2010 Coccinelle/Barbara Hulanicki Collection to members of the international press. The famous restaurant and beach club is the most beautiful and suggestive to be found in Versilia. It is the only beach-side restaurant in Forte dei Marmi, where you can have dinner looking out at the beautiful sunset or the moon-lit sea with candles on the beach flickering in the wind.

Forte dei Marmi – Coccinelle/Barbara Hulanicki – Orsa Maggiore. Coccinelle’s collaboration with Barbara Hulanicki, known as the founder of Biba, continues. The cult designer of the sixties and seventies, queen of style that Brigitte Bardot and Twiggy, Mick and Bianca Jagger, David Bowie and Cher all loved was in Forte dei Marmi to present the new Spring/Summer 2010 Coccinelle/Barbara Hulanicki Collection to thirty members of the International press who flew in especially for the occasion. Here Barbara is chatting to Coccinella’s worldwide communications director, Eleonora Pujia, the person responsible for bringing the fashion icon into the company.




Forte dei Marmi – Coccinelle/Barbara Hulanicki Presentation - Orsa Maggiore. The new Spring/Summer 2010 Coccinelle/Barbara Hulanicki Collection was beautifully displayed in the courtyard overlooking the beach of the Orsa Maggiore restaurant and beach club. The limited collection is made in Italy and the exclusive prints, inspired by Art Deco, a characteristic of Biba designs in its golden era are the principal features of the bags and their linear styling.

Forte dei Marmi – Coccinelle/Barbara Hulanicki – Orsa Maggiore. One of Barbara Hulanicki’s greatest fans and admirer, since the late 1960s, is the legendary, Elio Fiorucci. Fiorucci came down to Forte especially to be at the international press gala dinner hosted by Coccinelle in honor of Barbara Hulanicki.

photograph by Manfredi Bellati

Forte dei Marmi – Coccinelle/Barbara Hulanicki – Orsa Maggiore. Table settings on the beach at the Orsa Maggiore restaurant and very chic bathing establishment. It is the only beach-side restaurant in Forte dei Marmi where you can have dinner looking out at the beautiful sunset and the moon-lit sea with candles on the beach flickering in the wind.

Forte dei Marmi – Coccinelle/Barbara Hulanicki – Orsa Maggiore. After dinner we danced until the early hours on the beach.

Photograph by Manfredi Bellati

Pietrasanta: The Animals’ Countdown – Stefano Bombardieri. Not to be missed, Stefano Bombardieri’s installations in the Duomo Square and in the church of Sant’Agostino entitled, The Animals’ Countdown, until August 30th. Whales, rhinoceros, elephants, hippos, portrayed at natural size in a surreal contexts. Thanks to the use of extremely ductile materials as the glass-reinforced plastic, Bombardieri’s sculptures look realistic and stimulate the visitors to reason about subjects that are all but joyful. The animals, monumental and powerful, become testimonial of their extinction. In the Church of Sant’Agostino every animal has a led electronic counter that in real time reports the number of still existing animals. The spectacular entrance of the exhibition in Piazza Duomo, is marked by three tall metal portals, from which hang three upside-down whales with big wounds on their backs.

Forte dei Marmi – Coccinelle/Barbara Hulanicki. Join the club of the Coccinelle/Barbara Hulanicki bags. Nico, Silvia, Roberta, Barbara and Likrish go shopping in downtown Forte dei Marmi.
Contessanally tip: Click on any photo to enlarge it.

Forte dei Marmi – Coccinelle/Barbara Hulanicki – Bagni Piero. Forte dei Marmi is also famous for it’s Panzanelle, which should be dipped into the Stracchino soft creamy cheese.

Forte dei Marmi – Coccinelle/Barbara Hulanicki - detail. As Barbara waits for the press to arrive from all over Europe and Milan, she has fun photographing the photographer.

Note: the wide-angle extension she has added to her tiny compact Sony camera.

Forte dei Marmi – Coccinelle/Barbara Hulanicki - Bagni Annetta. Forte dei Marmi is famous for it’s foccaccia and at the Bagni Annetta it is to die for. The delicious foccaccia is served as an appetizer.


Forte dei Marmi – Coccinelle/Barbara Hulanicki - Bagni Annetta. Up and down the coast at Forte dei Marmi welcoming, elegant and glamorous lidos or bathing establishments follow one another. The long beach is spotted by cabanas painted in summer colors, wide beach umbrellas and chaises-longues. Above the cabins at the Bagni Annetta.

Forte dei Marmi – Coccinelle/Barbara Hulanicki - Bagni Annetta. After lunch in the legendary Bagni Annetta, the Italian press soaks up the sun on the beach.

Forte dei Marmi – Coccinelle/Barbara Hulanicki – Treats. Served with coffee these tiny bites of ice cream with a layer of fruit jelly covered in chocolate are the ultimate delicious, Bocconcini Dai Dai, the most tempting hand made treats.



Forte dei Marmi – Coccinelle/Barbara Hulanicki - Bagni Annetta. A Coccinelle/Barbara Hulanicki S/S 2009 travel bag with the famous logo sits on a towel trimmed with matching logo on the sun beds of the Bagni Annetta.