Wednesday, June 05, 2019

Venice: Not Only Biennale – Museo di Palazzo Mocenigo – Brigitte Niedermair – Elisabeth von Samsonow and Juergen Teller – Chiara Dynys


Museo di Palazzo Mocenigo
Brigitte Niedermair – Me and Fashion
Zuecca Project Space
Elisabeth von Samsonow and Juergen Teller
The Parent’s Bedroom Show
Museo Correr  
Chiara Dynys – Sabra Beauty Everywhere


Museo di Palazzo Mocenigo – MUVE Contemporaneo
Brigitte Niedermair – Me and Fashion

Brigitte Niedermair’s solo exhibition at the Museo di Palazzo Mocenigo, until November 24, curated by Charlotte Cotton under the scientific direction of Gabriella Belli, is a dynamic interplay of the artist’s photographs – drawn from her archive of over twenty years of photographic practice – with the architecture and decor of the interconnected rooms of Palazzo Mocenigo.



Museo di Palazzo Mocenigo
Brigitte Niedermair – Me and Fashion

Niedermair has responded to the distinct atmosphere of each room, in Venice’s Museum of Fabrics and Costume, inserting her hallmark tableaux fashion and still life photographs into these historic environments that range from intimate to imposing scale. 

 
Museo di Palazzo Mocenigo
Brigitte Niedermair – Me and Fashion

Niedermair selected paintings from the Palazzo Mocenigo collection for de-installation, replacing them with her photographs to consciously amplify and counterargue with the embedded subtexts of gender and identity that permeate these predominantly 17th century interiors. 

 
 Museo di Palazzo Mocenigo
Brigitte Niedermair – Me and Fashion

Niedermair’s intervention at the Museo di Palazzo Mocenigo re-animates the interiors and the narratives of gender that they hold. Niedermair is an exceptional figure within the field of fashion image-making as both a female auteur and one who activates her female gaze within a male dominated image system.


 
Museo di Palazzo Mocenigo
Brigitte Niedermair – Me and Fashion


Zuecca Project Space – Spazio Ridotto
Elisabeth von Samsonow and Juergen Teller
The Parent’s Bedroom Show

The project The Parents’ Bedroom Show, until July 31, by Elisabeth von Samsonow and Juergen Teller, curated by Christian Bauer, deals with the architecture of time involved in the practice of the performing art, and is presented by Zuecca Projects and the PhotoPhore.  The show is based on Samsonow’s performance by the same name, realized in Munich in a public space, that deals with the tension between the public and the intimate, and gravitates around the Freudian fantasy of the Urszene, “primal scene”. The parents’ bedroom appears as a crossroad for individual and collective histories/ biographies. It is supposed to be the origin of the Will to Knowledge.


Zuecca Project Space – Spazio Ridotto
Elisabeth von Samsonow and Juergen Teller
The Parent’s Bedroom Show

As the performance is a time-based event cutting the edge of time and projecting it into a non-ritual space of density and meaningfulness, photography produces singularities of an absolute past that becomes perennial.   Juergen Teller takes part in the project, not as the photographer who just archives the performance, but as a partner in crime who permits us to experience the performance even after the end of its live-acting, re-proposing that act in a different time, manipulating and inverting the ordinary time’s life-death-vector through the medium of photography.

 
Zuecca Project Space – Spazio Ridotto
Elisabeth von Samsonow and Juergen Teller
The Parent’s Bedroom Show


 
Zuecca Project Space – Spazio Ridotto
Elisabeth von Samsonow and Juergen Teller
The Parent’s Bedroom Show

As there is a constitutive link between performance and modes of archiving it, like photography and video, the show makes explicit how this link has to do with manipulations/recreations/artistic resettings of time.

 
Museo Correr
Chiara Dynys – Sabra beauty Everywhere

From the VAF-Stiftung Collection, at the Museo Correr, Chiara Dynys, Sabra beauty Everywhere, until November 24, is curated by Gabriella Belli. Dynys is a multifaceted artist who creates conceptual experiences as well as painting/sculpture and has produced a considerable quantity of performance art and other work that is strongly committed to current social and anthropological themes.

Museo Correr
Chiara Dynys – Sabra beauty Everywhere

Dynys’s Sabra Beauty Everywhere, was created in 2012 in the refugee camps of Sabra and Shatila in Lebanon. The theme is childhood games, played by children who are living in these ghettos of fear and isolation, yet who – despite everything – still manage to be children, behaving with an apparent disarming normality. Encased in precious ‘tabernacles’, the images of lacerated childhood bear witness to the commitment and role of Fondazione Musei Civici di Venezia in examining the emerging problems of social coexistence.


 Museo Correr
Chiara Dynys – Sabra beauty Everywhere
 


 

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