Photograph by
Messua Mazzetto – courtesy IUAV
Fashion
at IUAV 2017
The
Innocence of the Wall
MA
Graduation Show – FROW - Backstage
The BA and MA Graduation Show entitled;
The Innocence of the Wall, in the Fashion Design department of IUAV University of Venice
celebrates the end of the Academic Year. Organized in the area of the Maritime
Station at San Basilio, with the spectacular backdrop of the Canale della
Giudecca the fashion show featured the best collections of clothes and
accessories by the graduating students from the BA and MA programs in Fashion
Design, coordinated by designers Veronika Allmayer-Beck, Arthur Arbesser, Fabio
Quaranta. The show was curated by Mario Lupano and Cristina Zamagni and choreographed
by Gina Monaco.
“The innocence of the wall is an
statement, a statement that this year introduces Fashion at IUAV. It's not a
sticky label to attract attention, but it's the story of a way of being,
working, studying, watching the world.”
Maria Luisa Frisa
Maria Luisa Frisa
For three years the students have
been working in two red brick warehouses in front of the Canale della Giudecca,
a panoramic view that embraces a non-stereotypical Venice, but rather a Venice
that holds together different souls - the one crystallized in the past and the
one that wants to challenge the future - in which, the university is set up as a
kind of hinged territory that expresses, the complexity of the present. The view from warehouses, looks out onto the
canale, which defines the port area with all its functions, it has become for the
students a metaphor of a way of being; an
attitude, that sees within the boundaries, not a limit or a closure, but rather
assumes it as a place that can relate to differences, to understand diversity - permanent questions. The introduction of the title The Innocence of the Wall, borrowed
from Simone Gobbo's thesis in Architecture and Design at the University of
Genoa, seemed to be the best way for the community of teachers and students, to
reveal a way of being inside things, both fragile and stubborn.
Above. Maria Luisa Frisa, curator, fashion historian, author and director of the degree program in Fashion/Design at Iuav with Chinese fashion and textile designer Uma Wang.
Above. Maria Luisa Frisa, curator, fashion historian, author and director of the degree program in Fashion/Design at Iuav with Chinese fashion and textile designer Uma Wang.
MA Graduation Show
Giudetta De Pretis – Tznuit
Giudetta De Pretis – Tznuit
“Tzniut, in Hebrew means "modesty", it is the
privacy of a lifestyle that translates into the clothing of orthodox Jews. From
my memories at the Jewish school, emerges figures of women and girls, covering
stockings, knees and elbows and with wigs. Tzniut recounts these feelings, intimacy of
memories, and Jewish rules. The black dress, the white shirt and the waistcoat,
borrowed from the orthodox male wardrobe, become the basis for shaping new
shapes.”
giudittadepretis@gmail.com
giudittadepretis@gmail.com
Backstage
Giudetta De Pretis - Tznuit
Giudetta De Pretis - Tznuit
Photogaphs
by Francesca Occhi – courtesy of IUAV
MA Graduation Show
Giudetta De Pretis – Tznuit
Giudetta De Pretis – Tznuit
Backstage
Giudetta De Pretis – Tznuit
Giudetta De Pretis – Tznuit
Michele Bugliesi,
Dean of Ca Foscari, Alberto Felenga Dean of IUAV and Monica Centanni
Pino Musolino e Signora, Fabio Marzari
In theme with the title of the show
Pino Mussolino, president of the Port of Venice and Chioggia, points out that
walls, nets or any other barrier are innocent on their own, that is, that they
do not have a positive or negative connotation, it all depends on how you look
at them.
Antonio D’Anna, Zhu Chongyun, Giovanni Bonotto and Paola
Tomat
The fabrics for MA Fashion Collections, were provided by Bonotto S.p.a.
The fabrics for MA Fashion Collections, were provided by Bonotto S.p.a.
MA Graduation Show
Anahita Matin – 3434 Km
Anahita Matin – 3434 Km
“3434 km is the
distance between Tehran and Venice. The project is born from the experience of
a group of friends moving from one city to another in search of a personal
evolution. Each outfit is designed for the person wearing it and wants to
represent its identity. Men's classic fabrics, linked to a Western fashion,
combine with Chador and Kapanak, embroideries and volumes, telling memories,
maladies, traces and experiences.”
anahitamatin@gmail.com
anahitamatin@gmail.com
Backstage
Anahita Matin – 3434 Km
Anahita Matin – 3434 Km
Backstage
Anahita Matin – 3434 Km
Anahita Matin – 3434 Km
Mario Lupano and Gabriele Monti
Ezio Micelli and Cristiana Costanzo
Pamela Berry, Alessandro Tusset and Angela Vettese
MA Graduation Show
Gregiorio Nordio – TribalItalia (Again)
Gregiorio Nordio – TribalItalia (Again)
“A series of local
characters from Collodi to Gorino.
An acid yellow Pinocchio and a Red Pinocchio with donkey ears wearing a Rayon cardigan with an Elite rib.
A footballer in a Burkina jacket and an athlete in a polyester blue Burkina printed with sublimation.
A horned man in a black Tasmanian extra-fine waterproof wool suit.
A Madonna wrapped in quilted pink nylon.
An Italian dancer with a white sweatshirt and Hardcore Italia logo.
An Italian dancer with a red anchor and Hardcore Italia logo.
Sportswear, streetwear, outwear and other uses.”
gregn@hotmail.it
An acid yellow Pinocchio and a Red Pinocchio with donkey ears wearing a Rayon cardigan with an Elite rib.
A footballer in a Burkina jacket and an athlete in a polyester blue Burkina printed with sublimation.
A horned man in a black Tasmanian extra-fine waterproof wool suit.
A Madonna wrapped in quilted pink nylon.
An Italian dancer with a white sweatshirt and Hardcore Italia logo.
An Italian dancer with a red anchor and Hardcore Italia logo.
Sportswear, streetwear, outwear and other uses.”
gregn@hotmail.it
Backstage
Gregiorio Nordio – TribalItalia (Again)
Gregiorio Nordio – TribalItalia (Again)
Backstage
Gregiorio Nordio – TribalItalia (Again)
Gregiorio Nordio – TribalItalia (Again)
Fabio Quaranta
Paola and Andrea Tomat
Maria Rotondo, Fabio Achilli and Emanuela Bassetti
Elena Dorazzan and Carlo Teso
MA Graduation Show
Giovanni Nordio – TribalItalia
(Soubrette, Skins, Balene Bianche e altri Statali)
Giovanni Nordio – TribalItalia
(Soubrette, Skins, Balene Bianche e altri Statali)
“The Hammamet beach, Tokyo Fantasy (Alessandra Mussolini's Italo disc album), Annarella, the year 1992, carnations, Ciriaco De Mita and two girls with a shield embroidered on a silk dress.
4 ceremonial dresses + 1 suit + 1 body boy + 1 sports tunic + 1 work outfit . Polyester + Nylon + Cotton (lace) + Cotton (waxed).
N.B. The Specialized
dress is made up of polyester recovered from a basket inside a Venetian
company. The Polyester suit is printed with a photograph and was retrieved from
a collection center of used clothes in Venice. The Craxi photo printed on the tunic was
downloaded by Intellectuals.com. The printed body is Alberto Ruvoletto’s, born
July 24, 1992. The black dress features symbols of Italian political parties reproduced
and mixed in white, the quotation printed between the flames is by Giovanni
Lindo Ferretti. The seams and the color of the workwear are Carhartt's cargo
pants).”
giovanni.nordio@ymail.com
giovanni.nordio@ymail.com
Backstage
Giovanni Nordio – TribalItalia
(Soubrette, Skins, Balene Bianche e altri Statali)
Giovanni Nordio – TribalItalia
(Soubrette, Skins, Balene Bianche e altri Statali)
Backstage
Giovanni Nordio – TribalItalia
(Soubrette, Skins, Balene Bianche e altri Statali)
Giovanni Nordio – TribalItalia
(Soubrette, Skins, Balene Bianche e altri Statali)
Marta Geromel, Vera Fantinelli and Paola Goppion
Adele Re Rebaudengo and Bassi
Judi Harvest and Justin Koren
Backstage
Anna Lena Biotti – Learning From Riviera
Anna Lena Biotti – Learning From Riviera
“A Hawaiian bride falls in love with an Italian surfer and follows him by searching for his lost paradise among the tropics. A wedding in pin-stripes and a white dress, is hybridized by a surfing wetsuit, a coupling that re-emerges in every outfit of the collection; determining the choice of materials and abstraction from their common use: everything that is technical is paired with classical and everything that has not yet been washed can be thrown into water, wringing, dyeing and re-dying, discoloring and tearing.
Starting from surfwear, a long series of bootleg prints, fictitious and semi-ironic brands describe the Adriatic Riviera and its beaches, from the Lido of Venice to the hamlets of Rimini.”
annabiotti@gmail.com/
Photogaphs
by Francesca Occhi – courtesy of IUAV
MA Graduation Show
Anna Lena Biotti – Learning From Riviera
Anna Lena Biotti – Learning From Riviera
Silvia Schirinzi, Sabina Cioffi and Gianni Serra
Francesca Sarti
Anna Ferrari
Backstage
Kiko - Make-up
Kiko - Make-up
Dusty Ray and Julian Richards, Anna Morassutti and Aldrin Shumba
Silvana Dainese and Roberto De Feo
Uma Wang, Monica Massella and Elda Danese
Backstage
Annalisa Cescon – Signora Mia
Annalisa Cescon – Signora Mia
“My
lady is a vision. The ironic vision of the Italian province and its elegant
ladies in suits. The project is made up of eight episodes that correspond to
eight or nearly to, eight suits. Each one investigates a stereotype, a recurring
theme, and a character. There is the delicate lady who is lost in the floral
upholstery of her living room, with flowers that are actually buds of language
and smirks, and there is a showy lady in printed houndstooth. The furred
overwhelming lady whose fake fur is made-up by assembling many cymoses. The cat
loving lady, confused by the jacquard pattern of her knitwear set. The most
discreet lady with her pleated denim skirt. The lady in yellow with the fake checkered
suit and the animal print lady. Finally the jeweled lady in a woolen suit.”
annalisacescon@libero.it/
annalisacescon@libero.it/
Photogaphs
by Francesca Occhi – courtesy of IUAV
MA Graduation Show
Annalisa Cescon – Signora Mia
Annalisa Cescon – Signora Mia
Saul Marcadent
Gabriel Logar, Christian Anklin and Piccola
Maria and Ema Bonifacic
MA Graduation Show
Giulia Stefanini – Innesti
Giulia Stefanini – Innesti
“Venice, Autumn 2015,
time lost while waiting for a vaporetto. Everything is gray except for the
unremitting movement of algae, brilliant green filaments covering the
underwater surfaces. The project starts from here: a continuous evolution that
finds its focus in textile experimentation. Elements that arise directly in the
machine are multiplied by the use of different yarns such as mohair and nylon
that go to wrap around raw cotton cloth. Canvas and technical fabrics re-create
the architectural and structural appearance. Clutches of fabrics ennoble and
connects discarded items such as sheepskin and men's shirts.”
giulia.stefanini@hotmail.com/
giulia.stefanini@hotmail.com/
Backstage
Giulia Stefanini – Innesti
Giulia Stefanini – Innesti
Ethel Lotto and Anthony Knight
Maria Cristina Cerulli, Manuele Scapin and Alessandra
Vaccari
Lionella Caprioli and Shirin
MA Graduation Show
Valentina Olivetti - Le Temps Revient
Valentina Olivetti - Le Temps Revient
“A flower, an
upholstery, a dress, an armchair. I focused my attention on details of black
and white photographs and I inserted color, so much color, to tell story in a
collection. The men’s waistcoat is integrated into a female dress. A boxer
short is decorated with a ruffle around the waist. A long coat contrasts with
the lightness of the cropped top and the under-skirt. The fabrics emphasize the
abundance of colors and prints, ranging from quilted velvet, to padded, cotton
jersey, silk voile, wavy pleats, Alcantara, wool blends and cashmere.”
val.olivetti@gmail.com/
val.olivetti@gmail.com/
Photogaphs
by Francesca Occhi – courtesy of IUAV
MA Graduation Show
Valentina Olivetti - Le Temps Revient
Valentina Olivetti - Le Temps Revient
Mariavittoria Sargentini