Tuesday, May 09, 2017

Venice Biennale Special – Gallerie dell’Accademia – Philip Guston and the Poets

 
Venice Biennale Special – Gallerie dell’Accademia – Philip Guston and the Poets
“The joy of meaning in design

Wrenched out of chaos… The Quiet Lamp

For this creator is a lamp

Enlarging like a nocturnal ray”
Wallace Stevens
At the Gallerie dell’Accademia the exhibition Philip Guston and the Poets, until September 3, is curated by Prof. Dr. Kosme de Baranano,  and presents the work of the pre-eminent American painter Philip Guston (1913–1980) exploring the artist’s oeuvre in relation to critical literary interpretation.
Above. Magnet – 1975 – oil on canvas – Signals – 1975 – oil on canvas.
 

copyright - The Estate of Philip Guston - Courtesy Hauser & Wirth

Philip Guston - Untitled Self Portrait - 1974
ink on paper


Kosme de Baranano – curator




Philip Guston

Red Sea – The Swell – Blue Light
1975 – oil on canvas
Philip Guston and The Poets’ considers the ideas and writings of major 20th century poets as catalysts for his enigmatic pictures and visions. Featuring works that span a fifty-year period in Guston’s artistic career. The exhibition draws parallels between the essential humanist themes reflected in these works, and the language of five poets: D. H. Lawrence (British, 1885 – 1930), W. B. Yeats (Irish, 1865 – 1939), Wallace Stevens (American, 1879 – 1955), Eugenio Montale (Italian, 1896 – 1981) and T. S. Eliot (American-born, British, 1888 – 1965).

 

T.S. Eliot

copyright - The Estate of Philip Guston - Courtesy Hauser & Wirth

Philip Guston - East Coker – T.S.E.
1979 – oil on canvas

 


Musa Mayer – the artist’s daughter


Paola Marini director of Gallerie dell’Accademia and art critic, Enzo Di Martino


 




Cosme Tura – Madonna dello Zodiaco – 1480 c. – panel

Philip Guston – Mother and Child – 1930 – oil on canvas


This museum exhibition, the first for Guston in a city that exerted a profound influence upon his oeuvre, is a reminder of the artist’s special relationship with Italy. As a young muralist, his earliest influences were the frescoes of the Italian Renaissance masters, and his love of Italian painting persisted throughout his career.



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