Venice:
Palazzo Mocenigo – the re-styling of a museum. At Palazzo Mocenigo, a museum
devoted to the history of textiles and costume, a major restyling operation has
been completed with a new section dedicated to perfume and essences. The
operation comprised a general refurbishment of the 18th-century aristocratic
palazzo of San Stae, which used to belong to the Mocenigo family. The new layout
offers visitors the extraordinary possibility of exploring the entire ‘piano
nobile’ completely immersed in the regained atmosphere of the original
18th-century context, a visit focusing more on examining the fundamental
relationship between the existing 18th-century decor and fine period clothes,
which are displayed, providing a picture
that is at last complete and exhaustive of the habits and customs of noble
Venetians of the 18th century.
Palazzo Mocenigo: The new layout of the museum,
supported by the Soprintendenza ai Beni Architettonici e Paesaggistici di
Venezia and under the scientific
supervision of Pier Luigi Pizzi, the internationally acclaimed architect, opera
director, set and costume designer, took place under the scientific direction
of Gabriella Belli, director of the Fondazione Musei Civici di Venezia.
Palazzo Mocenigo: The restyling of the museum included
a wide range of interventions, the complete reconditioning of the wall fabrics,
the restoration of the palazzo’s antique furnishings, the recovery of articles
from the rich collections of the Fondazione Musei Civici, currently in storage
(including some precious 18th-century glass from the holdings of the Museo del
Vetro di Murano), together with those of a series of pictures with Venetian
historic and celebratory subjects from the picture gallery of the Museo Correr
and the recovery of fine 18th-century furniture from the storerooms of Ca’ Rezzonico
– Museo del Settecento Veneziano.
Palazzo Mocenigo: The extraordinary new display
covering the history of perfumes and essences. Thanks to the support and
collaboration of Mavive S.p.a., a Venetian firm owned by the Vidal family and
the principal partner in the operation.
Marco Vidal curator of the new section dedicated to
perfume, which is an absolute novelty in the Italian museums scene. The Vidal
family is undertaking this important example of patronage to stress its profound
links with the city of Venice.
Palazzo Mocenigo: Below the 19th-century
Italian Dog oil painting is the rare Perfume Maker’s Organ, an extraordinary
instrument used to invent perfumes using the more than two hundred essential
oils in phials arranged in the shape of an amphitheater.
Massimo Vidal, president of
Mavive.
Palazzo Mocenigo: This room is dedicated to fifty-six
Italian 18th-century male tailcoats and waistcoats in silk and
cotton embroidered with multicolored threads.
Chiara Squarcina, the museum’s curator and director
and Angela Vettese cultural attaché to the city of Venice.
Palazzo Mocenigo: The Fragrance Families, a
“classification” of perfumes on the basis of the elements they are made-up of.
Twenty-four essence Murano glass containers, forming six of the main families
sit on the table. Visitors may experiment with the fragrances or study this
intoxicating but rigorously scientific world in more depth, using the iPad on
the table.
Ferdinand Storp global president of Drom.
Palazzo Mocenigo:
A few of a significant selection of phials on long-term loan to the
museum from the Drom Collection. Drom
Fragances was founded in Munich in 1911 and with great skill and passion the
Storp family collected a rare and extremely important collection of phials and
containers, totaling 3,000 pieces and spanning 6,000 years.
Palazzo Mocenigo: In a room dedicated to raw materials
and production techniques, on display in eighteenth century Murano hand blown
bowls and glasses are many ingredients mentioned in ancient recipes in books
printed in Venice during the sixteenth century, such as Giovanventura
Rosetti’s Secreti Nobilissimi dell’Arte
Profumatoria, Bologna, Giovanni Recaldini, 1672 (first edition Venice 1555).
Walter Hartsarich, president of the Fondazione Musei
Civici di Venezia, architect and curator of the Fortuny Museum Daniela Ferretti
and Lorenzo Vidal.
Palazzo Mocenigo: Men’s clothes, of the 16th
and 17th centuries.
Palazzo Mocenigo: Displayed among the marine paintings in this
room a series of famous portraits like the one of a Mocenigo Doge and a
portrait of Pope Gregorio XII, along with original eighteenth century pieces of
furniture belonging to the palazzo.
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