Wednesday, May 30, 2018

Venice – Giardini: La Biennale di Venezia - #16 International Architecture Exhibition – The Awards – Special Mention – Great Britain

 
The Awards - Biennale Architecture
A special mention National Participation
 Great Britain - Island
Commissioner: Sarah Mann- Architecture Design Fashion British Council
Curators: Caruso St John Architects, Marcus Taylor
A Special mention for National Participation went to Great Britain for the courageous proposal that uses emptiness to create a “freespace” for events and informal appropriation.
 



British Pavilion
Island
“In past Biennales, the Pavilion has held curated exhibitions on architectural themes. This year, we have taken a different approach. There will be no exhibits; instead we have realized a structure that can be experienced like a building. There are many ways to interpret the experience of visiting Island and the state of the building suggests many themes; including abandonment, reconstruction, sanctuary, Brexit, isolation, colonialism and climate change. It is intended as a platform, in this case also literally, for a new and optimistic beginning. It is forward looking whilst acknowledging the past, whether good or bad.”
Adam Caruso, Peter St John and Marcus Taylor
2018 curators


British Pavilion
Island
Visitors approaching the British Pavilion will find the building covered with scaffolding supporting a wooden platform at roof-level. A staircase running the length of one side of the building leads up to an elevated piazza, a place to meet or to relax amongst the tree-tops of the Giardini, open to the sky with views across the Lagoon

 
British Pavilion
Island
Tea will be served at 4 pm each day, on the rooftop, with seats and umbrellas offering comfort and shade. The peak of the Pavilion’s roof projects up through the floor at the center of the space, suggesting both an island and a sunken world beneath.

 
British Pavilion
Island
“But we see-

the clouds like furious ink

thick liquid sinks and

whips the wind

pitch shifted

rumble, screams from a swollen grin -

there's a big storm rolling in
Kate Tempest
artist, writer and musician
From Brews – Let Them Eat Chaos


 Both spaces, the terrace and the inside of the Pavilion, will house poetry readings and debates on architecture. A sort of public island and a haven for the castaway and the exiled, a safe haven, far from the tempests evoked by two poetic and balancing English voices: those of Shakespeare and young poet and rapper Kate Tempest.
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Tuesday, May 29, 2018

Venice – Giardini: La Biennale di Venezia - #16 International Architecture Exhibition – The Awards - Silver Lion – Best Young Participant



The Awards - Biennale Architecture
Silver Lion for a promising young particpant in the
16th Exhibition Freespace
Jan de Vylder, Inge Vinck, Jo Taillieu (Ghent, Belgium)
architecten de vylder vinck taillieu
Central Pavilion – Giardini
Silver Lion for a promising young participant went to Jan de Vylder, Inge Vinck, Jo Taillieu (Architecten de Vylder Vinck Taillieu - Ghent, Belgium), for a project that possesses a confidence thanks to which slowness and waiting allows architecture to be open to future activation.


Architecten de Vylder Vinck Taillieu
Belgium
Unless Ever People
Caritas for Freespace
The Caritas project, in collaboration with BAVO, proposes a number of interventions into a half-demolished building on the campus of KARUS, a psychiatric center in Melle, Belgium.

 
Architecten de Vylder Vinck Taillieu
Belgium
Unless Ever People
Caritas for Freespace
 “ In our work we try to avoid giving the impression of a “corporate identity”. For us architecture is everyday life.”

Photograph by Andrea Avezzu - courtesy La Biennale di Venezia

The Awards - Biennale Architecture 2018
Silver Lion for a promising young particpant in the
16th Exhibition Freespace
Architecten de Vylder Vinck Taillieu



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Venice – Giardini: La Biennale di Venezia - #16 International Architecture Exhibition – The Awards - Golden Lion – Best Pavilion



The Awards - Biennale Architecture
Golden Lion – Best Pavilion - Switzerland
Svizzera 240:House Tour
The Golden Lion for Best National Participation to Switzerland for a compelling architectural installation that is at once enjoyable while tackling the critical issues of scale in domestic space. Commissioners: Swiss Arts Council Pro Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo
Exhibitors: Alessandro Bosshard, Li Tavor, Matthew van der Ploeg, Ani Vihervaara

 Golden Lion – Best Pavilion - Switzerland
Svizzera 240:House Tour
Rosita Missoni
 
Golden Lion – Best Pavilion - Switzerland
Svizzera 240:House Tour
The project confronts the quintessentially Swiss theme of residential architecture, or Wohnungsbau, with a fresh approach that raises new questions. The Pavilion has been turned into an apartment and invites visitors to a house tour; focusing their attention on a building devoid of furniture and on its interior spaces, built to different scales and united to form a labyrinthine sequence of perspectives.

 
Golden Lion – Best Pavilion - Switzerland
Svizzera 240:House Tour


Golden Lion – Best Pavilion - Switzerland
Svizzera 240:House Tour
The architects of Svizzera 240 think the paradoxical presence of an unfurnished interior signifies a challenge to the tradition of inconspicuousness of the space itself and hints at an alternative architectural sensibility that will reinterpret the white wall as the intimate place of contact between architecture and society.

Photograph by Andrea Avezzu - courtesy La Biennale di Venezia

The Awards - Biennale Architecture
Golden Lion – Best Pavilion – Switzerland
The Switzerland Pavilion team received the Golden Lion from the president of La Biennale di Venezia, Paolo Baratta
text courtesy - www.venezianews.it   




 
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Venice: La Biennale di Venezia - #16 International Architecture Exhibition – The Awards

 Photograph courtesy La Biennale di Venezia


The Awards
La Biennale di Venezia
16th International Architecture Exhibition
Golden Lion for Lifetime Achievement
“Through his work, Kenneth Frampton occupies a position of extraordinary insight and intelligence combined with a unique sense of integrity. He stands out as the voice of truth in the promotion of key values of architecture and its role in society. His humanistic philosophy in relation to architecture is embedded in his writing and he has consistently argued for this humanistic component throughout all the various ‘movements’ and trends often misguided in architecture in the 20th and 21st century.”
Yvonne Farrell and Shelley McNamara
curators

The Board of Directors of La Biennale di Venezia, chaired by Paolo Baratta, awarded the Golden Lion for Lifetime Achievement upon recommendation of curators Yvonne Farrell and Shelley McNamara to Kenneth Frampton (Great Britain).


 Photograph courtesy La Biennale di Venezia

The Jury
La Biennale di Venezia
16th International Architecture Exhibition
The international Jury of the 16th International Architecture Exhibition - La Biennale di Venezia, curated by Yvonne Farrell and Shelley McNamara, entitled Freespace was composed of Sofía von Ellrichshausen (President of the Jury, Argentina), Frank Barkow (United States), Kate Goodwin (Australia), Patricia Patkau (Canada), Pier Paolo Tamburelli (Italy), has decided to present the following awards:

Golden Lion for Best National Participation
Switzerland
Svizzera 240 - House Tour
Commissioners: Swiss Arts Council Pro Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo
Exhibitors: Alessandro Bosshard, Li Tavor, Matthew van der Ploeg, Ani Vihervaara
Venue: Giardini
A special mention for National Participation
Great Britain
Island
Commissioner: Sarah Mann - Architecture Design Fashion British Council
Curators: Caruso St John Architects, Marcus Taylor
Venue: Giardini
Golden Lion for the best participant in the 16th Exhibition 
Freespace
Eduardo Souto de Moura (Porto, Portugal)
Souto Moura – Arquitectos
Venue: Arsenale Corderie
Silver Lion to a promising young participant in the 16th Exhibition  Freespace
Jan de Vylder, Inge Vinck, Jo Taillieu (Ghent, Belgium)
architecten de vylder vinck taillieu
Venue: Central Pavilion – Giardini
Two special mentions to the Participants in the 16th International Exhibition - Freespace

Andra Matin (Jakarta, Indonesia)
andramatin
Venue: Arsenale Corderie
Rahul Mehrotra (Mumbai, India; Boston, USA)
RMA Architects
Venue: Central Pavilion – Giardini

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Tuesday, May 22, 2018

New York: The Metropolitan Museum – Heavenly Bodies


 
The Metropolitan Museum
Heavenly Bodies
“The Catholic imagination is rooted in and sustained by artistic practice, and fashion’s embrace of sacred images, objects, and customs continues the ever-evolving relationship between art and religion. The Museum’s collection of Byzantine and western medieval art, in combination with the architecture and galleries that house these collections and provide the perfect context for these remarkable fashions.”
Daniel H. Weiss,
President and CEO of The Met
Heavenly Bodies, is the Costume Institute's spring 2018 exhibition, at The Met Fifth Avenue and The Met Cloisters, until October 8, it is curated by Andrew Bolton and Wendy Yu.  It features a dialogue between fashion and medieval art from The Met collection to examine fashion's ongoing engagement with the devotional practices and traditions of Catholicism. Serving as the cornerstone of the exhibition, papal robes and accessories from the Sistine Chapel sacristy, many of which have never been seen outside The Vatican, are on view in the Anna Wintour Costume Center. Fashions from the early twentieth century to the present are shown in the Byzantine and Medieval galleries, part of the Robert Lehman Wing, and at The Met Cloisters.
www.metmuseum.org/exhibitions/listings/2018/heavenly-bodies.
John Galliano - House of Dior
Autumn/winter - 2000–2001 - Haute Couture

photograph and copyright Manfredi Bellati

The Habit

Rossella Jardini – House of Moschino
Spring/Summer – 2014


“Fashion and religion have long been intertwined, mutually inspiring and informing one another. Although this relationship has been complex and sometimes contested, it has produced some of the most inventive and innovative creations in the history of fashion.”
Andrew Bolton - Wendy Yu
curators
Yves Saint Laurent
Statuary Vestment for the Virgin of El Rocío
- ca. 1985
Heavenly Bodies features the work of designers who for the most part were raised in the Roman Catholic tradition. While their current relationships to Catholicism vary, most acknowledge its enduring influence on their imaginations. On the surface, this influence is expressed through explicit Catholic imagery and symbolism as well as references to specific garments worn by the clergy and religious orders. On a deeper level, it manifests as a reliance on storytelling, and specifically on metaphor - which the sociologist Andrew Greeley describes as the essential characteristic of a particular sensibility he defines as "the Catholic imagination."

 
Christian Lacroix - Gold-Gotha
Autumn/Winter – 1988-1989 – Haute Couture


 
Christian Lacroix - Gold-Gotha
Autumn/Winter – 1988-1989 – Haute Couture

  Photograph and copyright by Manfredi Bellati

 
Jean Paul Gaultier
Spring/Summer – 1994
Tomb Effigy of Jacqueline de Ferriere
North French – c. 1275-1300

 
Alexander McQueen
Spring/Summer – 1999
Late Medieval Stained Glass
Altarpiece – North Italian c.1390-1400



Roberto Capucci
Angelo D’Oro
– 1987

Courtesy of the Collection of the Office of Liturgical Celebrations of the Supreme Pontiff, Papal Sacristy, Vatican City - Digital composite scan by Katerina Jebb – courtesy The Met

Chasuble (back) of Pius XI  - (r. 1922–39) - 1926
French
The exhibition features approximately 40 ecclesiastical masterworks from the Sistine Chapel sacristy, many of which have never been seen outside the Vatican. Encompassing more than 15 papacies from the 18th to the early 21st century, these masterworks are on view in the Anna Wintour Costume Center galleries and include papal vestments and accessories, such as rings and tiaras. The last time the Vatican sent a loan of this magnitude to The Met was in 1983, for The Vatican Collections exhibition, which is the Museum’s third most-visited show.


   
Christian Lacroix
Autumn/Winter 2009-10 –Haute Couture
Virgin and Child
Spanish Alterpiece 1400-1500


Jean Paul Gaultier
Ex-Voto Evening Ensemble - Spring/Summer -2007- Haute Couture


Donor Figures: King Queen and Prince
French – c. 1350

 
Celestrial Hierarchy
Capsule Collection 
Kate and Laura Mulleavy – Rodarte



Cristobal Balenciaga
1949

Henri Matisse
Chasuble – c. 1950











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