Tuesday, October 12, 2010

Susegana: The Castle of San Salvatore - FlorArt fair


The castle of San Salvatore – FlorArt.  On a beautiful sunny weekend the nobles and gentry of northern Italy who dabble or even, work seriously, in crafts, gathered to show their wares at the Castle of San Salvatore, which belongs to the Collalto family, for the first FlorArt fair, a showcase for plants and crafts organized by Giovanna Poggi Marchesi together with Studio Lavia.   Built in the thirteenth century, the castle stands on a hilltop of the pre-Alps near Treviso.  From the castle on a bright sunny day you can see from the Alps to the Venetian lagoon. The main building in the fortified complex, Palazzo Odoardo has been re-structured with the most modern technologies for use as a location for events. In the garden, below the Rocca or stronghold, nurseries exhibited flower and plants, from cacti to orchids, as well as, garden furniture and pots. Indoors in the Palazzo itself, elegant artisans showed their crafts.


Giovanna Poggi Marchesi


“….continues this great Venetian tradition of glass flowers bead making.”

Perle di Vetro.    Giovanna Poggi Marchesi is the ideater and organizer of the FlorArt event, a fair featuring plants and crafts as the name suggests.  The successful event of highly selected crafts made by nobles and gentry in their country homes was the social event of the autumn.  Giovanna, in her own right, is also known for the magnificent glass flowers she makes with original antique Venetian beads made in Murano.  An art she learnt from Nella Sammartini Lopez y Royo, her maternal grandmother. Today, she is one of the most well-known and distinguished Italian artists that use this technique and these materials keeping alive this great Venetian tradition of glass flowers bead making. She lives and works in the Treviso countryside, not far from Venice, in a house immersed in green fields and hills.  She is also the author of the book, The Flowers of Venice: The Art of creating Flowers and Decorative Objects Using Venetian Glass Beads, which is published by Mondadori.
Perle di vetro - Giovanna Poggi Marchesi:  giopoggimarchesi@alice.it


Carlo Marchesi


“…using animals hand-blown by Bruno Amadi in Venice.”


“…in his spare time designing and making cufflinks.”

Carlo Marchesi.   Carlo Marchesi runs the family fish farm in the Venetian Lagoon.  And, being married to Giovanna Poggi Marchesi, who “Eats, sleeps and breaths” Venetian glass beads, he decided to work along side her in his spare time designing and making cufflinks.  Using the precious and decorative beads he creates colorful and unusual cufflinks. Recently branching out by using animals hand-blown by Bruno Amadi in Venice.


Giuliana de Faveri Tron


“…lots of pretty patterns for floors and skirting boards…”

Giuliana de Faveri Tron.  The attractive Giuliana de Faveri Tron lives in a sixteenth century palace in the countryside near Bologna.  Now that her children have grown up she has gone back to work on her trompe l’oeils, like this garden, behind her, seen through a greenhouse window. She also specializes in fake marbling effects and more recently, having been asked by a friend to paint over and ugly wood floor, she has developed a technique and lots of pretty patterns for floors and skirting boards; repetitive geometric designs, flowers, tassels, fringes, ribbons and more whimsy patterns that can be painted onto planks to embellish a room. 
Giuliana de Faveri Tron: www.magamaison.it

 
Franca Goppion


“…is fun from souvenirs of the Eiffel Tower to plastic fruits to colorful beads.”


“…to create corporate gifts like these bracelets made from corkscrews components.”

Fragolab.  Franca Goppion, didn’t follow into the family coffee business, she became a graphic designer.  Her training served her well in her jewelery making business were composition, balance and creativity together with the important ingredient of fun and play take the leading roles.  Fragolab is a play on words with her initials and the word fragola or strawberry, a word that immediately evokes summer, color fun and playfulness.  For Franca designs her bijoux using anything she can get her hands on which is fun from souvenirs of the Eiffel Tower to plastic fruits to colorful beads.  She also enjoys a challenge when asked by businesses to create corporate gifts like these bracelets made from corkscrews components.  She is a “one woman operation” researching, designing, buying and making each piece herself, where no two items are ever exactly the same. Recently she started a T-shirt collection by printing silk-screens of her necklaces onto them and her most recent designs feature pretty objects or flowers, which were perfect for this event.


Sandro Zara


“So he brought back to life the ancient Venetian cape using quality materials, silver hooks and chains…”


Tabarrificio Veneto.  A photograph of a photograph of the eccentric Sandro Zara who twenty years ago turned his life around and started the Tabarrificio Veneto.  After scouting and researching clothes in museums, palaces and farmhouses near and around Venice it was the cloaks that intrigued him the most. So he brought back to life the ancient Venetian cape using quality materials, silver hooks and chains, velvet collars and giving them fascinating names like The Brigantine or The Nobleman, therefore transforming the cloak into an object of design and desire for a small group of men and women.


Mauro Sarti


“…from precious woods with delicate and intricate inlays…”

Mauby & Wood.  Mauro Sarti’s elegant spinning tops are exquisite objects to look at and fun to play with.   They are the ideal gift for the gentleman who has everything.   Made from precious woods with delicate and intricate inlays, which Mauro insists he does not design but it is the wood itself, while it rotates on the lathe that dictates it’s own shape. The artistic artisan enjoys working on small objects and says that “The tops are a game, they spin and turn and this says more about them than just words can.”
Mauby & Wood - Mauro Sarti:www.maubywood.eu

Maria Cristina Ilari


“…decorations in the “Print Room “ style where Pictorial techniques are freely drawn on to deceive…”

Studio MilleCentoUno.  Maria Cristina Ilari’s Studio MilleCentoUno’s passion is for memory-laden objects.  It specializes in decorations in the “Print Room “ style , astonish and give suggestions.  The term Print Room indicates an original and very personal way of decorating the walls with prints, which arose in the eighteenth century between England and Ireland.  MilleCentoUno’s Print Rooms are created for decorators, but are used also by decoupage enthusiasts for the creation of sophisticated furnishings.
Photographs:  Manfredi Bellati


 Oriana Chantal Balliana


“…a gardening set in dark and milk chocolate, perfect for the gourmet gardener.”


Q-Ori & Cioccolato. Oriana Chantal Balliana lives under the imposing Brandolino Castle near Treviso. Her chocolate making company Q-ori & Cioccolato specializes in heart shaped chocolates, which often are covered in nuts or sweets.  Her slogan appropriately is “Hearts to be Broken”.  She is constantly researching the prime ingredients and is obsessed with chocolate.  In fact she only uses the very best from Venezuela.  Oriana sells her chocolates at selected fairs and events only, so look at her website for the next event.  For FlorArt she designed a gardening set in dark and milk chocolate, perfect for the gourmet gardener.

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Thursday, September 30, 2010

Milano: Missoni Spring/Summer 2011 collection



 Missoni Spring/Summer 2011 collection.  Angela Missoni walks the runway after the Spring/Summer Missoni 2011 collection.


Backstage at Missoni - models prepare for the show. Contemporary vibrations, color, energy, graphic elements and wording, bold intarsia, cutouts and patchwork together with prints, high-tech structural nylon inserts define the Missoni S/S/ 2011 collection.



 Backstage at Missoni – the make-up # 1. The make-up was designed by Lucia Pieroni using M.A.C. make-up products.


Backstage at Missoni – the make-up # 2.  The beautiful model, whose most notable features are her beautiful eyes, Hiedi Mount, was made-up by Lucia Pieroni who described “The make-up is beautiful and healthy as the clothes are so colorful and it is super sexy.  A light foundation, smudgy eyes, bronzing on the cheeks give a healthy glow.  The lips are nude colored and the lipstick is applied with the fingers so it’s not too perfect looking.”


Seen backstage at Missoni. Model, Heidi Mount chats with Missoni muse, Margherita Maccapani Missoni.
Note: On Marghrita’s top from the S/S 2011 collection the playful lyrical wording that evokes fun images and sounds. Iconic statements are blended and interwoven with macro flame-stitched, fret zigzag motifs and jacquards.

 Backstage at Missoni – the make-up # 3. Victoria's Secret supermodel, Karolina Kurkova prefers to apply her own mascara.


Seen backstage at Missoni. Tatiana de Santo Domingo and fashion editor and stylist, Vanessa Reid.



Backstage at Missoni - the hairstyle.  The hairstyle was created by Wella Professional global creative director, Eugene Seuleman. The hair is “Wind blown has a very dry texture, it looks as if it is weathered and has  fallen out of the scarf.” He explained.


Backstage at Missoni – accessories # 1. The hats are dramatic square brimmed hats that highlight the uniqueness and mystery of today’s woman.  The sunglasses are eccentric and have geometric shapes.





Backstage at Missoni – accessories # 2. Like the nail varnish, the multicolored knit sandals have fun rounded heels in fluorescent colors. 



 Seen backstage at Missoni. Rosita and Luca Missoni enjoy a coffee and a cappuccino.




Missoni.  Ankle length dresses, maxi skirts, cropped tops, bermudas and trousers, jackets with long waistcoats based on geometric shapes.   The collection boasts a palette of pop acid colors yellow, orange, blue and green.  The summer wardrobe pays tribute to contemporary art and celebrates the world’s different cultures. There is an explosion of texture, color and Missoni’s signature zigzag knits.



 Seen backstage at Missoni. Tai Missoni.




Seen backstage at Missoni. Angela Missoni and French Vogue’s editor in Chief, Carine Roitfeld.  French Vogue celebrates its ninetieth birthday this year with a special issue with Lara Stone on the cover wearing a lace mask and nothing else and a masked ball in Paris.
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Milano: Maurzio Cattelan - L.O.V.E. sculpture - Piazza Affari


Piazza Affari – Maurizio Cattelan Statue.  Look closely at this sculpture, because it is being taken down, probably before you even read this blog. The controversial Italian internationally renowned artist, Maurizio Catellan’s eleven meters high L.O.V.E. sculpture is/was placed in front of the Milan Stock Exchange. Originally entitled 'omnia munda mundis' in Latin meaning 'to the pure [men], all things [are] pure'.
Note: an exhibition of equally controversial works by Cattelan can be seen in the  Sala delle Cariatidi of Palazzo Reale until October 24th, 2010.
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Milano: Marni Spring/Summer 2011 collection


Marni Spring/Summer 2011 collection – backstage.   Athletic and contemporary describes the mood of the Marni Spring/Summer 2011 collection.  Her style unmistakably inspired by sports uniform references and a taste for liaisons of technological fibers and couture elements.   Constructions marry color, textures and different workings.


Backstage at Marni. The Castiglioni family: Giovanni, takes care of the outlets, Gianni is the CEO, Consuelo, the creative director and Carolina takes care of the virtual store and is also the accessory buyer.


Marni. Ephemeral mini dresses in macramé lace are worn with multi-colored shorts.


Backstage at Marni –  the hair and make-up artists Hair designer, Paul Hanlon and make-up artist, Tom Pecheux ‘cuddle up’ to Freja Beha, the season’s most in demand model.



Backstage at Marni – make-up # 1.  In the words of superstar catwalk make-up artist, Tom Pecheux, the make-up is “Playful and smart, vivid colors on mat orange lips, the white eye shadow called, Jesso has a strong graphic element with a black line on the lid.  No blush, no mascara and a veil of foundation.” Tom used M.A.C. Pro make-up.


Backstage at Marni – make-up # 2.  
The lip color effect was obtained with this orangey red pressed powder, by M.A.C. called Frankly Scarlet with a foundation of orange Lipmix, see below.



Backstage at Marni – make-up #  3.  The M.A.C. orange Lipmix goes under the pressed powder on the lips.


Backstage at Marni – the hair.   Paul Hanlon created the hairstyle to look weathered, beachy and sea-salty.  At the back it is tied in a knot with elastic threads and brought to the side to give a “fallen-out” effect onto which is placed a soft leather sports helmet.


Backstage at Marni – the nails # 1. This season a lot of attention was given to nails and toe nails.  A model is getting a change of nail varnish on her feet.



Backstage at Marni – the nails # 2.
The fingernails have been softened with Nimue moisturizer.   She is reading Oscar Wilde’s A Picture of Dorian Gray.



Backstage at Marni – a detail. 
The back of a scuba inspired jacket with mesh detail in the back.


Seen at Marni.   Saks Fifth Avenue’s Terry Schaefer.


 Backstage at Marni - the accessories # 1.  Though the sunglasses place the importance on volume, the impact is light: tinted transparent acetate frames merge with the lenses of the same hue. Also note the diagonally striped motifs, which appear in knitwear and exclusive prints.


Backstage at Marni - the accessories # 2.  The sports helmets are made in soft leather and the sophisticated, sculpture necklaces add counterpoints.   Metal, the predominate material of ultramodern impact is used in striking assemblages of various sized spheres and cylinders in the finest chain-metal mesh of gold, nickel or lacquer, clusters of boules and transparent resin modules accent the uniqueness of the collection.



Backstage at Marni - the accessories # 3.   The Sandals are exaggerated fringe or leather woven sandals with wide soles.   The platform sandals have high heels and are in woven leather or set on wood.



Backstage at Marni - the accessories # 4. 
  The bags are foldable color coordinated squares made out of calfskin with contrasting patent leather handles. Alternatively, bucket bags in leather with geometrical intarsia or patent leather and raffia are woven into chequered patterns.



Seen at Marni # 1. Velvet magazine’s eccentric editor in chief, Michela Gattermayer.  She is wearing a classic white linen Bagutta shirt with turquoise leather pants made to order by Cut on her own design.


Seen at Marni # 2 – a detail.   A detail of Michela’s lucky bracelets all gifts from friends over the years.


Seen at Marni.  Architect, Matteo Thun.


Seen backstage at Marni.   American Vogue’s Anna Wintour looks at the polaroids with Marni’s creative director, Conuelo Castiglioni.

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