Monday, June 06, 2022

Venice - #BiennaleArte 2022 - Gallerie dell'Accademia - AND - Palazzo Manfrin - Anish Kapoor

 
"Kapoor creates works that are happening as we experience them. Throughout all of the spaces of this exhibition at the Gallerie dell’Accademia and Palazzo Manfrin, there is process and temporality on display and in action. These works exist in a continuous state of becoming, we are invited to witness these objects at just one moment in the process of their generation or de-generation."
Taco Dibbits
curator 

Gallerie dell'Accademia + Palazzo Manfrin
Anish Kapoor 
 
Internationally acclaimed artist Anish Kapoor is the first British artist to be honoured with a major two part exhibition - at the Gallerie dell’Accademia and Palazzo Manfrin - until October 9 - which is curated by art historian Taco Dibbits, General Director of the Rijksmuseum in Amsterdam.  The exhibition, which includes about 60 works, has retrospective elements alongside newer bodies of work, presenting key moments in the artist’s career. Ground-breaking new works, created using carbon nanotechnology, are shown for the first time, as well as recent paintings and sculptures that are testament to the vitality and visionary nature of Kapoor’s current practice
 
 


Gallerie dell'Accademia - Anish Kapoor

The Unremembered - 2020 

The Benighted - 2022 - The Benighted III - 2021  

 


 
This interaction of science and art has created works that sit within an age-old language of painting, that alongside installations like Shooting into the Corner  and new paintings enter a complex dialogue with the Gallerie dell’Accademia’s historical collection. Perhaps more explicitly than ever, this exhibition looks to a language of the interior that has always been central to Kapoor's practice. 
 
Gallerie dell'Accademia - Anish Kapoor
Shooting into the Corner - 2008-2009 

photograph - Luca Zanon - Giorgione - La Tempesta - courtesy - Galleria dell'Accademia

"Anish Kapoor has built his whole oeuvre on investigating the absolute essence of art in it's constituent inner elements: form, pigment, perspective, light and its absence,facilitating in this creative investigation a stimulating dialogue with the art of the great Venetian Renaissance masters represented in the museum: Bellini,Titian, Tintoretto,Veronese.” 
Giulio Manieri Elia
Director - Gallerie dell'Accademia 

Giulio Manieri Elia, Anish Kapoor, and Art Historian and curator Taco Dibbits
Giorgione - La Tempesta 
 
Giorgione's La Tempesta was housed in Count Girolamo Manfrin's palazzo's picture gallery in the nineteenth century,  at the time one of Venice's major tourist attractions visited by among others Antonio Canova, Lord Byron, John Ruskin and Edouard Manet. When the works in the collection were sold, after the death of Manfrin, the heritage of the Gallerie dell'Accademia was enriched with twenty-one paintings including masterpieces such as Giorgione’s La Tempesta and La Vecchia and works by Mantegna, Memling, Nicolo di Pietro, Girolamo Savoldo and Moretto.  The 18th-century Palazzo Manfrin, which had been empty for many years, was recently acquired by the Anish Kapoor Foundation.
 

Gallerie dell'Accademia - Anish Kapoor 
Non-Object Black - installation view
 


Perhaps more explicitly than ever, this exhibition looks to a language of the interior that has always been central to Kapoor's practice. In Pregnant White Within Me  the architecture of the gallery is distended, suggesting a re-shaping of the boundaries between body, building and being. Throughout the exhibition Kapoor's works absorb and extend the space within and around them into uncanny realms, transforming the rooms of the Gallerie dell'Accademia into sites for the magical - going beyond the display of objects.

Gallerie dell'Accademia - Anish Kapoor 
Pregnant White Within Me - 2022 
 

Ground-breaking new works, created using carbon nanotechnology, are shown for the first time, The skin of the object as veil between the inner and outer world has always been a potent presence in the artist’s practice, and at the Gallerie dell’Accademia, sculptures made with Vantablack push this dynamic into radical new territory, in forms that both appear and disappear before our eyes. In these works Kapoor proposes that if the motif of the fold in Renaissance painting was a sign of being, in their obliteration of the contour and edge we are offered nothing less than the possibility to go beyond being. More unknown forces emerge through a further series of mysterious black works, some embedded in the wall of the gallery, that further explore darkness as a physical and psychic reality.  Alongside these works Kapoor’s most recent paintings are strongly debuted, setting up a dynamic dialogue with both the Gallerie’s art historical collection, and his own sculptural language.

Gallerie dell'Accademia - Anish Kapoor 
 Mother as a Mountain - Black - 1985 
 
 
Palazzo Manfrin - Anish Kapoor 
Turning Water into Mirror, Blood into Sky - 2003

 
The second venue of Anish Kapoor’s dual exhibition begins with the monumental new work Mount Moriah at the Gate of the Ghetto, protruding from the ceiling of the entrance hall and created specifically for the partially renovated spaces of Palazzo Manfrin where some of the most famous works in the Gallerie dell’ Accademia’s collection originally hung. This pendulous mass of silicone and paint guides visitors through to an equally challenging set of rooms.
 
Palazzo Manfrin - Anish Kapoor
Mount Moriah at the Gate of the Ghetto - 2022
 

 
"...in which a monochrome blue digger transports tonnes of 
red earth 
in an epic act of displacement."
 
 Palazzo Manfrin - Anish Kapoor
Destierro
- 2017
 


"Subtleties of Venetian light are at play in ethereal, geometrical works carved from natural alabaster while the deep, lagoon blue pigment of Kapoor’s early void hemispheres provide moments of meditative respite."
 
 Palazzo Manfrin - Anish Kapoor 
 Gate II - 2020
Gate III - 2021
 


Palazzo Manfrin - Anish Kapoor
Three
- 1990 - detail
 

Palazzo Manfrin - Anish Kapoor  
Split in Two Like a Fish For Frying - 2022 
 

Palazzo Manfrin - Anish Kapoor   
 Hidden Mirror / Shulamite and Lajja Gauri - 2020
 

Palazzo Manfrin - Anish Kapoor  
Installation View Non- Object Black - Kapoor Black
 

Palazzo Manfrin - Anish Kapoor  
Vertigo - 2006
 

Palazzo Manfrin - Anish Kapoor  
Sky Below 2022 - Painting ƃuᴉʇuᴉɐd  - 2021  - mirror ɹoɹɹᴉɯ 2017  
 
 
Palazzo Manfrin - Anish Kapoor   
The Innocents  - 2020
 

Palazzo Manfrin - Anish Kapoor
Portrait of Pink - 2019 - Portrait of Pink II - 2019 - Portrait of Pink III - 2019 
 


Palazzo Manfrin - Anish Kapoor  
Symphony for a Beloved Sun  - 2022
  
 
Palazzo Manfrin  

 
The Catalogue

The exhibition is accompanied by a catalogue published by Marsilio with essays by: Gil Andijar; Homi K.Bhabha; Linda Borean; Giuseppe Civitarese; Mario Codognato; Waldemar Januszczak; Norman Rosenthal; Carlo Rovelli and Michele Tavola.