Backstage: Max Mara Autumn/Winter 2011-2012 Collection. Backstage Max Mara’s fashion director Laura Lusardi greets Kathy Holmes and Nicola Gerber Maramotti after the show.
Backstage: Max Mara. The classic British country look becomes urban and sophisticated. Traditional shapes and fabrics reinterpreted and transformed by new technologies and unexpected combinations.
Backstage: Max Mara. Marethe, Madeleine and Josephine.
Backstage: Max Mara. Make-up artist, Tom Pecheux is photographed with Sigrid. The make-up, Tom explains is “Monochromatic with lots of peachy colors. Lots of power to the eyebrow, I used beige eye shadow and a taupe crease line, grey eyeliner under the eyes and many coats of black mascara.”
Backstage: Max Mara. Max Mara’s creative director, Ian Griffiths makes sure that the models are perfectly dressed before going out onto the runway. He is photographed with Maude who is wearing a white wool hooded jacket. Parkas, duffle coats and bikers jackets create new silhouettes with short trapeze-shaped skirts and fur appliqués, zips, buckles and fringing.
Backstage: Max Mara. A mohair long woolen coat is inspired by the kilt. The tartan is illuminated by embroidery.
Backstage: Max Mara. And so the kilt becomes a bustier long evening dress.
Backstage: Max Mara. Max Mara’s CEO and president Luigi Maramotti came backstage with his two children Costanza and Elia.
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