Monday, October 11, 2021

La Biennale di Venezia - The 78th International Venice Film Festival - Don't Miss - The Power of the Dog + Un Autre Monde


 

photograph Kirsty Griffin - courtesy Netflix - La Biennale di Venezia
 
#Venezia78 - Competition
The Power of the Dog
Jane Campion 

Charismatic rancher Phil Burbank inspires fear and awe in those around him. When his brother brings home a new wife and her son, Phil torments them until he finds himself exposed to the possibility of love.
 
Benedict Cumberbatch 
 
photograph Kirsty Griffin - courtesy Netflix - La Biennale di Venezia
 
"Falling in love with Thomas Savage’s powerful novel was a rare joy, yet I never thought of directing it with so many male characters and such deep masculine themes. I questioned instead who Savage with his own ambiguous masculinity would have wanted as his director and slowly I felt him slip an arm around my shoulder; “A mad woman who knows how to love the story? Yes, perfect.” I offered my whole self to Savage’s magnificent story, I let it sweep me up; I felt the lover in Phil as well as his terrible loneliness; I saw the importance and strength of each of the characters to the story and how each are finally revealed. I am honored to share this film with a real audience in a real cinema.
Jane Campion
Director's Statement 
 

 Silver Lion - Award for Best Director
Jane Campion
The Power of the Dog
New Zealand - Australia 
 
photograph Kirsty Griffin - courtesy Netflix - La Biennale di Venezia
 
Main Cast
Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee
 
Kirsten Dunst

 
 
The 78th International Film Festival 
Lido di Venezia - Early Morning
Palazzo del Casino
 
photograph - Nord-Ouest Films - France 3 Cinema - courtesy La Biennale di Venezia
 

#Venezia78 - Competition
Un Autre Monde - Another World
Stephane Brize 
 
An executive manager, his wife and his family, at the moment when his professional choices are about to overwhelm them all. Philippe Lemesle and his wife are in the process of separating, their love irretrievably damaged by pressures of work. An executive working for an industrial conglomerate, Philippe no longer knows how to respond to the contradictory demands of his bosses. Yesterday they wanted a manager, today an executioner. Now he must decide what his life really means.
 
Vincent Lindon
 
 
photograph - Nord-Ouest Films - France 3 Cinema - courtesy La Biennale di Venezia
 
 "Philippe Lemesle moves amongst society’s winners, in the realm of executive managers, of the meritocracy, of what are typically known as “success stories”. How do you admit you’re in pain, that you’ve lost your way, when you are part of the social elite? To complain would be both obscene in the eyes of the less well-off and a sign of weakness— unforgivable in the eyes of his peers, and in his own eyes. In this world, you cannot—you must not—be weak. It’s forbidden, on pain of downgrading and being replaced by a younger, more dynamic counterpart, or another who won’t argue about what he or she is asked to do. In this world it seems one no longer enjoys the right of questioning the orders that come from on high and which must swiftly be imposed below. This is the story of a world splitting silently in two, of professional and personal lives foundering, of a world in which men and women in ties and too-tight suits increasingly struggle to find meaning."
Stephane Brize
Director's Statement 
 
Main Cast
Vincent Lindon, Sandrine Kiberlain, Anthony Bajon, Marie Drucker
 
Anthony Bajon and Sandrine Kiberlain
 
 
 
Lido di Venezia
The 78th International Venice Film Festival
Red Carpet Photographers
pack up an move on
Ciao
#Venezia78
 
 
Please Note
Text was edited from 
La Biennale di Venezia - Cinema
website

 

 

 


 
 
 



 

 


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Thursday, October 07, 2021

Palazzo Loredan - Istituto Veneto di Scienze, Lettere ed Arti - Installations - Emmanuel Babled - Daniela Busarello - Ida Wieth - Peter Borkovics - Leslie Ann Genninger - Sini Majuri - Feleksan Onar - Dalia Truskaite - Francesco da Mosto

  

Palazzo  Loredan - Istituto Veneto di Scienze, Lettere ed Arti
The Venice Glass Week HUB
Installations

Osmosi is a limited edition of glass-and-marble furniture sculptures. By combining new technology with traditional craftsmanship, a virtual fusion is made. The materials are put together with high-level digital precision — they are separate pieces, but each has no meaning without the other. Like Cinderella and the glass shoe, there is only one unique piece of glass that can fit into one unique piece of marble, fitting together by gravity alone. 
 
Emmanuel Babled - Osmosi Complement 7
 


The soul of the place through its physical-cultural landscape. Feminine, sensual and delicate volumes that are raw, strong and disturbing at the same time. With the Murano technique of free-blown glass, we learn to recognize and appreciate the beauty of accidents and imperfections that can arise at the moment of the object's birth, from the cut of the "umbilical cord" [the stem = the glass master's hand] to become an object in itself. LIFE.
 
Daniela Busarello - A liquid world. The meaning of life
 

Reach stresses the significance of parts played during a process, and the aftermath and narrative that evolves from this. What spawns and generates shape and expression, and the possibilities that arise through interaction between materials.  These objects express a sense of movement with an elastic and subtle feeling to them. Traces from the process are accentuated, and encourage a curious dialogue between object, narrative and viewer  

Ida Wieth - Reach


The artist developed his own technique, which unifies the two glass melting techniques: glassblowing and melting in an electric furnace. By “hot glass,” he refers to the liquid-like nature of glowing glass. To emphasize this character, he finishes the creative process with cold glass grinding and polishing, because this is the only way he can show the internal behaviour of the material.

Peter Borkovics - Glass rotation


Re-Cultivating, a project created by Leslie Ann Genninger for The Venice Glass Week, captivates her continuing dialogue between past and present Murano.  Juxtaposed vintage and contemporary Murano Glass elements, leaves and flowers, created decades ago by Murano's chandelier glass maestri, blossom in this re-imagined composition... a submerged island in a fragile lagoon to re-cultivate, renovate, revitalize... VivaVetro!
 
Leslie Ann Genninger - Re-cultivating

 
"I look at the sea.  This familiar infiniteness, I have stayed on its shore
countless times. Still -disconnected from time.
I contemplate how some moments are the most meaningful, how they 
can define your whole person.  For me time is an invisible companion. 
We dive through it, we navigate through it with the help of our memory.
I have wanted to give form to the invisible.  Even if it was a mere whisper."
 
Sini Majuri - The time
 

With the installation #GetmePPE, Feleksan Onar questions our sense of common responsibility towards the environment. Onar turns to a material both fragile and durable such as glass, to sculpt the face masks as detritus from a remote past, almost in the manner of an archaeological artifact; a gesture reflecting on the never-ending present of modernity and raising consciousness of our precarious futures.

Feleksan Onar -  #GetmePPE


Lots of facts, thoughts and stories are written and fixed in books and stored for years or even centuries in impressive libraries such as that of Palazzo Loredan. Truskaite’s art work is concerned with exclusive libraries. It's about things that can be felt but are difficult to put into words, about things that are unwritten, unsaid and stored in the libraries of our hearts or thoughts.
 
Dalia Truskaite - Unsaid
 

Murano's Secrets with Francesco da Mosto is a 20-minute docu-film made in July 2021 for The Venice Glass Week. The voice and charisma of Venetian architect and author Francesco da Mosto, especially well-known for his highly successful BBC documentaries, accompany us on a journey around the island of Murano to uncover some of its secrets and learn about the world-famous art of glassmaking.  How do you make a glass object? Can a young person become a master glassmaker today? Starting with some historical background, da Mosto takes us to admire the magnificent glass objects and art works preserved within Murano's Glass Museum, before immersing us in the world of glass production, accompanied by some key figures in the sector.  Michela Cattai, artistic director of Venini - a brand that celebrates its centenary this year - opens the doors of its historic furnace, while the island's youngest master glassmaker, Roberto Beltrami, tells us how he fell in love with the art of glass.  All this demonstrates that world of Murano glass is very much "alive" today, and The Venice Glass Week provides the ideal opportunity to find out more. 

 Francesco da Mosto - Murano's Secrets 

 

Please Note  

Most of the text for this post was edited from
The Venice Glass Week 
website

 
 
 
 

 



 

 


 

 

 

 

 
 

 

 

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Palazzo Loredan - Istituto Veneto di Scienze, Lettere ed Arti - Glass In Venice Prize 2021 - Life Achievement Award - Autonoma Residency Prize


 

Palazzo  Loredan - Istituto Veneto di Scienze, Lettere ed Arti
Glass In Venice Prize 2021 -  Life Achievement Award 
Autonoma Residency Prize 
 
In the magnificent setting of the entrance hall of Palazzo Loredan, home to the Istituto Veneto di Scienze ed Arti, among the marble effigies of the Venetian Pantheon comprising the busts of famous people who were born or lived in Venice, the  works  of the recipients of the Glass in Venice Prize 2021 for Lifetime Achievement Award artists Federica Marangoni and Mauro Bonaventura
 
Federica Marangoni
www.theveniceglassweek.com/  
 

 photograph - Massimo Pistore - courtesy - The Venice Glass week

 

Glass In Venice Prize 2021 -  Life Achievement Award 


The Glass in Venice Prize 2021 for Lifetime Achievement, promoted by the Istituto Veneto di Scienze, Lettere ed Arti and by Fondazione Musei Civici di Venezia, was awarded to Federica Marangoni, an artist who since the 1970s has been creating works and large installations of high conceptual impact in which she uses glass alongside or instead of other expressive media. She has also worked in the Murano glassworks to make absolutely original decorative and design pieces. Her works have been shown and collected in public spaces and museums all over the world. Marangoni proclaimed in one of her installations that Art has no sex and has demonstrated this with all her intense and incisive artistic production.
 
Rosa Barovier, Federica Marangoni and Gabriella Belli
 
photograph - Massimo Pistore - courtesy - The Venice Glass week
 
Glass In Venice Prize 2021

Mauro Bonaventura is a glass artist who has shown extraordinary technical-executive and creative abilities in his flameworked glass pieces. Having come to the world of Murano glass almost by chance in the 1980s, he was excited by this material and in the following decade decided to devote himself to flameworking and open his own studio. Bonaventura’s intelligence and obstinacy have allowed him to develop an extraordinary technical skill and create works of unusual shape and size, thanks to his very personal talent.
 
Rosa Barovier, Mauro Bonaventura and Gabriella Belli 
 


photograph - Massimo Pistore - courtesy - The Venice Glass week
 

 Autonoma Residency Prize

 

The winner of the Autonoma Residency Prize which awards a residency at the Pilchuck Glass School in Seattle, went to the young Czech artist Vendulka Prchalova, who took part in The Venice Glass Week HUB under35,  for inclusive  innovative research underlying the Smesi project which combines diverse sculpting methods and 3D technology. The objects in this series are based on the 3D model of a dog: the forms created are printed in 3D and then transformed into glass.

 

Marcantonio Brandolini d'Adda and Vendulka Prchalova  

 
Please Note 
Most of the text for this post was edited from 
The Venice Glass Week 
website

 

 


 



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