Tuesday, March 23, 2021

Venice - V-A-C Zattere – Non-Extractive Architecture: Designing without Depletion Vol. 1- Zoom - Book and exhibition Launch

 

Courtesy V-A-C Foundation

 

Zoom - Book and Exhibition Project Launch

Non-Extractive Architecture: Designing without Depletion Vol. 1

A year-long exhibition program, research residency, materials workshop, lecture series and publishing platform at V–A–C Zattere, Venice

 

Non-Extractive Architecture: On Designing without Depletion is a new live research and exhibition program curated by architect and curator Joseph Grima and the design research studio Space Caviar. The year-long project will look at contemporary architectural production as the endpoint of a complex chain of activities.

Charlotte Malterre-Barthes

Scales of Extraction, after Morphosis, 2-4-6-8 House Parts drawing

 

http://www.v-a-c.ru/location/venice/

 


Courtesy V-A-C Foundation

 

The book Non-Extractive Architecture: On Designing without Depletion Vol. 1 is published by V–A–C and Sternberg Press. It establishes a theoretical framework for a new approach to architecture based on long-term thinking about the use of material resources and the integration of community values into the construction industry. It draws on a multiplicity of voices and perspectives to examine architecture as an expanded field that connects people and places well beyond the conventional definition of “site”.

Contributors

Dele Adeyemo, Sofia Pia Belenky, Benjamin Bratton, Stephanie Carlisle, Emanuele Coccia, Keller Easterling, Swarnabh Ghosh, Macarena Gómez-Barris, Joseph Grima, Interiors Agency, Elisa Iturbe, Luke Jones, Chiara Di Leone, Armin Linke, Charlotte Malterre-Barthes, Nicholas Pevzner, Maria Smith and Mark Wigley.  It will be followed by a second volume which will collect the research developed through 2021 and is set to be published in early 2022.

 


Courtesy V-A-C Foundation – photograph - Boudewijn Bollmann

 

“A Non-Extractive Architecture, in other words, is an architecture based on care: for people, resources, materials, environments – as well as for civilization itself, with the unthinkable expansive timeframes that involves.”

Joseph Grimes

architect and curator

 


 Courtesy V-A-C Foundation

 

Luke Jones

Notional carbon flows between a timber building and forest

 

 

Luke Jones

considers whether a post-carbon architecture might in fact echo some of the fundamental material principles, such as all-timber construction 

 


Courtesy V-A-C Foundation

 

Today, the building and construction industries are responsible for 39% of the total carbon emissions produced by humanity. The hunger for non-renewable resources such as sand, water, stone and steel needed to urbanize the world at speed is irreversibly depleting entire regions, fundamentally transforming their nature into habitats incapable of supporting human and animal life. Non-Extractive Architecture is an attempt to question some of the basic assumptions underlying contemporary architectural production from a material and social perspective, rethinking the construction industry from first principles in the belief that better alternatives exist.

Luke Jones

Tectonics of layers

 

 

Interiors Agency’s writer and designer Nicholas Korody, Joseph Grimes and designer Sofia Pia Belenky

 

 

critic Elisa Iturbe

on how carbon modernity has been a foundational force in the development of the modern world through the case study of Magnitogorsk city, Russia

 


Courtesy V-A-C Foundation

 

The transformation of V-A-C Palazzo delle Zattere into an active laboratory for the definition and development of Non-Extractive Architecture will take form in parallel strands of research, residences, public programs and publishing initiatives throughout the year. The research will inform an evolving exhibition produced on site by Space Caviar in collaboration with ten selected international research residents. Alongside the residency research initiative, invited designers will share new material research and conduct physical workshops within the new laboratory constructed in Palazzo delle Zattere. The Palazzo will be activated through a library, publishing and broadcasting stations designed by the art collective N55. Guest experts as part of a monthly talk series will contribute to the ongoing research of Non-Extractive Architecture. 

 Luke Jones

Material flows in and out of a steel frame, to scale.


 

Philosopher Emanuele Coccia

 Imagines ways of reforming architecture in order to recognize that all living beings are ultimately connected 

 

 

Francesco Manacorda

V-A-C Foundation artistic director

 


 

 

 

 

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Sunday, November 29, 2020

Montecchio Maggiore – Fondazione Bisazza - Norman Parkinson, Fashion Photography 1948-1968 – Exhibition

 

Fondazione Bisazza

Norman Parkinson, Fashion Photography 1948-1968

The retrospective retraces 20 years of fashion photography through the gaze of Norman Parkinson along with four other internationally celebrated photographers: Milton H. Greene, Terence Donovan, Terry O’Neill and Jerry Schatzberg.   Curated by Cristina Carrillo de Albornoz and organized by Fondazione Bisazza with Iconic Images, the show portrays not only the spirit of change sweeping the times - 1948-1968 - but also a new style of photography and a way of representing women, in fashion and portraits.

The two decades, 1948-1968, that forever changed the history of fashion, unfolded in two distinct phases: if the postwar period and the 1950s mark the rebirth of high fashion and the rise of master couturiers like Dior and Chanel, the fashions of the 1960s, influenced by social changes wrought by the new generations, make a clean break with the past and propel gifted, ground-breaking designers like Yves Saint Laurent and Mary Quant into the spotlight.

Norman Parkinson
Queen – August - 1960

https://normanparkinson.fondazionebisazza.it/en/exhibition/


 

British photographer Norman Parkinson - 1913-1990 - was one of the pioneers of 20th century fashion photography. Parks, as he was affectionately known, pushed beyond the traditional bounds of fashion photography in his work for some of the leading magazines – Harper’s Bazaar, Queen and Vogue. He photographed models outside the studio, in everyday settings, on streets, beaches and in exotic destinations, always injecting a strong dose of British humor into his work.

Norman Parkinson

Photograph - Terry O’Neill

 


Postwar Couture

Norman Parkinson - Vogue – 1951

 


 

Norman Parkinson - British Vogue – October – 1948

 

 

City Style

Norman Parkinson
Queen
– 1960 - Go – 1960 - American Vogue – 1957

 

 

Norman Parkinson – American Vogue – 1949

 


Norman Parkinson – British Vogue - 1957

 


Fifties Glamour

Milton H. Greene – Life – April – 1952

 

 

Milton H. Green – Life – 1952

 


Exceptional Gowns

Norman Parkinson – American Vogue – 1950
Norman Parkinson – American Vogue
– 1950

 


 

Norman Parkinson – Vogue – 1953

Designer Victor Stiebel with models Fiona Campbell-Walter and Margaret Phillips

 


Norman Parkinson – British Vogue – 1953

 


 The Art of Travel

 Norman Parkinson – South Africa – 1956 – British Vogue – 1951

 


Norman Parkinson - British Vogue – November - 1956

 


Icons

Norman Parkinson – Cecil Beaton – 1972

 


Milton H. Greene – Marilyn Monroe – New York – 1954

 


 Swinging Sixties

Norman Parkinson – Queen – March – 1961

 


Terry O’Neill – Audrey Hepburn - Paris -1966
Terence Donovan – London
– August – 1959

 

 

Norman Parkinson – The Beatles – London – September – 1963

 


Rossella Bisazza and Manfredi Bellati

 

 

Fondazione Bisazza

Norman Parkinson, Fashion Photography 1948-1968


 


 

 

 

 



 

 

 


 


 


 

 

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