Saturday, September 29, 2012

Milan: Fashion Week - Wait and See – Gentucca Bini S/S 2013 collection.



Milan:  Fashion Week - Wait and See – Gentucca Bini S/S 2013 collection. In the new concept store Wait and See, Gentucca Bini presented her S/S 2013 collection. 

 


Wait and See – Gentucca Bini S/S 2013.  Designer Gentucca Bini is photographed with a jacket from her Bond-In Italy project for Pitti Immagine Filati.  The jacket made from welded Alfredo Motta leather evokes tire tracks as does the inside, which is made from techno jacquard knit.  Tailor-made is substituted by technology whilst maintaining all the formal characteristic and quality. Items that are apparently constructed and rich in structural elements are emptied thanks to the technology of construction and assemblage, which make room for lightness and for performance.



 

Jewelery designer Sveva Camurati wearing one of her own necklaces.

 

Wait and See – Gentucca Bini S/S 2013.  A view of the shop with one of Gentucca Bini’s dresses made of transparent tulle, which reveals a “sexy secrets” tank top underneath.

 

Sandra Musso better known as Sunshine.

 


Wait and See – Gentucca Bini S/S 2013.  An amusing belt detail.


 

Wait and See – Gentucca Bini S/S 2013.  Designer Alessandra Facchinetti and journalist Annamaria Sbrisa.


 

Indress’s Weis Shulte.
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Milan: Art – Federico Luger Gallery – Mattia Bosco Exhibition





Milano: ART – Federico Luger Gallery – Mattia Bosco Exhibition. At the Federico LugerGallery, until October 16 a new series of works on stone, by Mattia Bosco whose artistic practice enters in relation with the elementary geometric forms typical of the minimalist tradition; combining them with the work of nature and time.  The sculptural works are born from the observation of the stones he finds and from the selection of those which have been better affected by time and chance. Then, Bosco intervenes on the stone, after having picked it up from the place of encounter, in such a way that the natural part, and the elaborated one coexist in one image, in which each one draws its expressive strength from the other, defining itself by virtue of the contrast.
Above: Mattia Bosco's Floor Sculpture and on the wall a work by Gianni Pettena called Breathing Architecture, 1999, site specific inside wall installation at the Federico Luger Gallery.

 
Dealer Federico Luger

 

Federico Luger Gallery – a detail.  A detail of Gianni Pettena’s Breathing Architecture, 1999, site specific inside wall installation at the Federico Luger Gallery.   Together with Archizoom, Superstudio and UFO, Gianni Pettena belongs to the original nucleus of the Radical Architecture movement in Italy. Over the years the choice to dedicate himself to a limited number of ‘real’ projects demonstrates how, for Pettena, architecture is not restricted to the event of construction but is part of a greater research, centered on the relationship with the environmental context, with space and with the quality and nature of the materials, a means to verify continually the multiplicity of possible meanings that the architectonic discipline can assume.
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Wednesday, September 26, 2012

Milano: Fashion week - S/S 2013 – Antonio Marras.

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Milano:  Fashion week - Antonio Marras S/S 2013. The inspiration for Antonio Marras’s S/S 2013 collection came from American writer and illustrator Henry Darger’s most famous work, the 15,000 page long fantasy manuscript entitled The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm Caused by the Child Slave Rebellion, which in more recent times was re-titled simply The Realms of the Unreal. This massive work has hundreds of watercolor illustrations.  A neighbor found the manuscript after Darger’s death.  In view of his retired life far not only from any artistic movement, but also from the unreal world, Darger is considered one of the leading figures of Outsider Art.


  Antonio Marras. Boucle fabrics, textural tweeds, damasks in various thicknesses and colors, pink, milky-white, peach pink, apricot, lilac, pale green, pastel shades, ceremonial colors, golden threads.  Long forgotten Chanel jackets, military jackets taken apart and reassembled.

 
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Antonio Marras – the venue.  An old garage was set up to host a make-believe posh wedding reception probably in England.

  
Waitresses in their starched uniforms.




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Antonio Marras - the roll call. The reception room evokes an old-fashioned fashion show with models walking around the tables.  At the roll call the models rehearse the runway before the show begins.


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Antonio Marras – the roll call. Antonio Marras embraces Alessandra Olcese of Random Productions, who actually produced the show.


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Antonio Marras – the roll call. Also hair and make-up watch the roll call.  Hair stylist James Pecis and make-up artist Tom Pecheux, watch for any flaws in the hair or make-up on the runway.


 Tea or coffee?


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Antonio Marras. As in the most elegant weddings, sugared almonds await guests on their chairs along with the show’s program.

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Antonio Marras – the roll call.  Also watching are Patrizia Marras and art director Paolo Bazzani.



 
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Tea for Two?  American Vogue’s editor at large Hamish Bowles shares the wedding cake with the International Herald Tribune’s Suzy Menkes.


 
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“The Table sparkles: crystal, platinum, silver, silk, flowers, cakes.  Everything’s a bit heaped together, but in a good way, with elegance and harmony…”


-->             Daniela Sardo with JRT Pierivo, better known as Pierolino.


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Antonio Marras. Antonio Marras gives an interview to Rai 5 TV channel. He tells the story of his collection.  Antonio is always inspired by a book or a movie for his collections.  This time it is the Vivian Girls, loosely inspired by Henry Darger’s The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm Caused by the Child Slave Rebellion, better known as the, The Realms of the Unreal

 
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Antonio Marras – the storyboard.  The Vivian Girls get dressed up for a wedding in England.  They have decided that today the world must be made romantic.  That’s the only way it will regain its original meaning.  One of them is the young bride and they dress up in her honor.  They’re all here; they’ve come from far away places and times, very faraway.



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Antonio Marras – backstage. Jackets, duster coats and dresses have duality, they become “others”.   Patch-worked front and back in, damasks in various thicknesses and colors, pink, milky-white, peach pink, apricot, lilac, pale green, pastel shades, ceremonial colors, golden threads.

 
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 The 2013 bag.


 
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Antonio Marras – backstage.  Chaos reigns, hair and make-up have to co-exist.


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Antonio Marras – the hair. Hair stylist James Pecis describes the hair as “ Schizophrenic, gate crashing for an English wedding. It’s a play on textures and there is a lot of plating, twisting and backcombing.”




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Antonio Marras – the make-up.  Tom Pecheux describes the make-up as "Rebel. Rock and Roll, Slightly Punk. Definitely individual. And as it’s the first time Marras has worked with Swarovski, I placed some glitter in the inside eye, the eyes have a 60s flavor. The eyeliner is banana shaped.  I used black pencil and powder, the basics which every woman should have.” 


 Lella Costa


 
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Rai 5’s Daniela Ferolla sits with the president of the Camera Nazionale della Moda Italiana Mario Boselli.

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Antonio Marras. “Flooded with light, objects, fabrics and people are transformed, they become something else, magic narrations with vaster, more universal meanings.  And so Swarovski crystals live and speak; simple sophisticated, elegant atoms that send luminous messages, they invite us to look for hidden beauty and light.”




   
  Fashion blogger Bryan Boy
 


 
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Blogger of Il Fatto Quotidiano Juanaria Piromallo and her daughter Tiare von Meister.


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Art curator and consultant Caroline Corbetta.

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Caterer and food consultant Corrado Calza.



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Fashion consultant Lara Dittfeld and artist Pino Pipoli.


 
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JRT Pierivo, better known as Pierolino.
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